As has been observed by Wallach(1948), perceived lightness is proportional to the ratio between the luminances of adjacent regions in simple disk-annulus or bipartite scenes. This psychophysical fmding resonates with neurophysiological evidence that retinal mechanisms of receptor adaptation and lateral inhibition transform the incoming illuminance array into local measures of luminance contrast. In many scenic configurations, however, the perceived lightness of a region is not proportional to its ratio with immediately adjacent regions. In a particularly striking example of this phenomenon, called White's illusion, the relationship between the perceived lightnesses of two gray regions is the opposite of what is predicted by local edge ratios or contrasts. This paper offers a new treatment of how local measures of luminance contrast can be selectively integrated to simulate lightness percepts in a wide range of image configurations. Our approach builds on a tradition of edge integration models (Hom, 1974;Land & McCann, 1971)and contrast/filling-in models (Cohen & Grossberg, 1984;Gerrits & Vendrik 1970;Grossberg & Mingolla, 1985a, 1985b. Our selective integration model (SIM)extends the explanatory power of previous models, allowing simulation of a number of phenomena, including White's effect, the Benary Cross, and shading and transparency effects reported by Adelson (1993), as well as aspects of motion, depth, haploscopic, and Gelb induced contrast effects. Wealso include an independently derived variant of a recent depthful version of White's illusion, showing that our model can inspire new stimuli.In everyday experience, surface color constancy is an effortless achievement of the visual system. That is, despite variations in lighting and movement or displacement of objects across visual contexts, object color appears to a large extent to remain constant. For example, consider the appearance of a teapot in a familiar kitchen scene. Large daily variations in the illumination of the kitchen, including shadowing, do not alter the apparent surface color of the teapot (Type I, or illumination-independent constancy). What is more, the teapot remains the same apparent color, despite being placed at different locations, whether on a red table cloth or on a white counter (Type II, or background-independent constancy). Color constancy refers, then, to the fact that surface color remains largely constant, despite changes in the intensity and composition of the light reflected to the eyes from both the object itself and from surrounding objects.' This paper is specifically concerned with the achromatic, or black-to-white, dimension of perceived surface color (perceived reflec-L.P.was funded by CNPq/Brazil Grant 520419/96-0. W.D.R.was supported in part by the Whitaker Foundation. The authors thank Alan Gilchrist, Robert O'Shea, and the other reviewers for valuable discussions concerning the presentation of the model. Correspondence concerning this article should be addressed to W. D. Ross, Machine Intelligence Group, MIT Li...