Modeling Marble Artworks: The Statue “Oceanus” by Giambologna

Trovatelli, Francesco; Barbagallo, Francesco; Marino, Edoardo M.; Tanganelli, Marco; Viti, Stefania

doi:10.1007/978-3-031-17594-7_5

Cited by 3 publications

(2 citation statements)

References 19 publications

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“…At the current time, therefore, the safety of art goods can be assessed only by (i) determining the amount of dynamic load induced to the expected occurrences and (ii) performing proper analyses focused on the single items. This latter step can be faced with various levels of computational effort, i.e., by applying simplified methods based on form-filled analyses [19,30], or more analytical approaches [31][32][33][34][35].…”

Section: Introductionmentioning

confidence: 99%

Vulnerability Assessment of Art Collections: the National Archaeological Museum “Gaio Cilnio Mecenate” in Arezzo (Italy)

Azzara,

D'AMBRISI,

Tanganelli

et al. 2023

Preprint

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Artworks play a fundamental role in the cultural and economic asset of communities, enforcing their identity and helping the social integration. Despite their importance, they are not always adequately protected against degradation, which can be induced by the aging, atmospheric and human-induced occurrence, and catastrophic events. Earthquakes certainly represent one of the main risks for art goods; however, traffic, construction works, and shipment can also represent a threat for art goods. Therefore, the assessment of the vulnerability of art collection to dynamic excitations plays a crucial role in their conservation, and it has been collecting an increasing attention by researchers, academics, and Museums’ managers. This work focuses on the vulnerability of the art collections exhibited at the Museum “Gaio Cilnio Mecenate” in Arezzo. Namely, it aims at assessing the effective dynamic loading experienced by the artworks, which is a function of the dynamic propagation plaid by the foundation soil, by the building and by the displayers used for exhibition. In this study the dynamic properties of some of the displayers used for exhibiting the art collections are investigated by performing an experimental survey. The analysis of the experimental data lead to assess the proper frequencies of the displayers, which have been compared to the ones of the building and the foundation soil of the Museum.

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Section: Introductionmentioning

confidence: 99%

Vulnerability Assessment of Art Collections: the National Archaeological Museum “Gaio Cilnio Mecenate” in Arezzo (Italy)

Azzara,

D'AMBRISI,

Tanganelli

et al. 2023

Preprint

View full text Add to dashboard Cite

show abstract

Section: Introductionmentioning

confidence: 99%

Vulnerability Assessment of Art Collections: The National Archaeological Museum “Gaio Cilnio Mecenate” in Arezzo (Italy)

Azzara,

D’Ambrisi,

Tanganelli

et al. 2023

Buildings

View full text Add to dashboard Cite

Artworks play a fundamental role in the cultural and economic assets of communities, enhancing their identity and helping with social integration. Despite their importance, they are not always adequately protected against degradation, which can be induced by aging, atmospheric and human-induced occurrences, and catastrophic events. Earthquakes certainly represent one of the main risks for art objects; however, traffic, construction works, and shipment can also represent a threat to art goods. Therefore, the assessment of the vulnerability of art collections to dynamic excitations plays a crucial role in their conservation, and it has been collecting increasing attention from researchers, academics, and museum managers. This work focuses on the vulnerability of the art collections exhibited at the “Gaio Cilnio Mecenate” museum in Arezzo. Namely, it aims to assess the effective dynamic loading experienced by the artworks, which is a function of the dynamic propagation played by the foundation soil, the building, and the displayers used for the exhibition. In this study, the dynamic properties of some of the displayers used for exhibiting the art collections are investigated by performing an experimental survey. The analysis of the experimental data led to the assessment of the proper frequencies of the displayers, which were compared to those of the building and the foundation soil of the museum.

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Transdisciplinary Conservation of Sant’Andrea Pulpit in Pistoia (Italy): The Structural Perspective

Marafini,

Matteini,

Betti

et al. 2023

Springer Proceedings in Materials

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Modeling Marble Artworks: The Statue “Oceanus” by Giambologna

Cited by 3 publications

References 19 publications

Vulnerability Assessment of Art Collections: the National Archaeological Museum “Gaio Cilnio Mecenate” in Arezzo (Italy)

Vulnerability Assessment of Art Collections: the National Archaeological Museum “Gaio Cilnio Mecenate” in Arezzo (Italy)

Vulnerability Assessment of Art Collections: The National Archaeological Museum “Gaio Cilnio Mecenate” in Arezzo (Italy)

Transdisciplinary Conservation of Sant’Andrea Pulpit in Pistoia (Italy): The Structural Perspective

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