Proceedings of the 4th International Workshop on Digital Libraries for Musicology 2017
DOI: 10.1145/3144749.3144754
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Modeling the Complexity of Music Metadata in Semantic Graphs for Exploration and Discovery

Abstract: Representing and retrieving ne-grained information related to something as complex as music composition, recording and performance is a challenging activity. is complexity requires that the data model enables to describe di erent outcomes of the creative process, from the writing of the score, to its performance and publishing. In this paper, we show how we design the DOREMUS ontology as an extension of the FRBRoo model in order to represent music metadata coming from di erent libraries and cultural institutio… Show more

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Cited by 9 publications
(10 citation statements)
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“…Information exploration and discovery is a long, non-trivial, and non-linear journey. To foster non-linear navigation of the search results, existing literature mostly instantiated a graph data-modal using either existing domain knowledge, such as ontologies ( Khalili et al, 2017 ; Lisena et al, 2017 ; Kanjanakuha, Janecek & Techawut, 2019 ), or using some generic similarity measures ( Rashid & Bhatti, 2017 ). Our approach uses domain-independent semantics and similarity measures to construct a non-linear graph to provide non-linear means of search results exploration and discovery.…”
Section: Comparison and Discussionmentioning
confidence: 99%
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“…Information exploration and discovery is a long, non-trivial, and non-linear journey. To foster non-linear navigation of the search results, existing literature mostly instantiated a graph data-modal using either existing domain knowledge, such as ontologies ( Khalili et al, 2017 ; Lisena et al, 2017 ; Kanjanakuha, Janecek & Techawut, 2019 ), or using some generic similarity measures ( Rashid & Bhatti, 2017 ). Our approach uses domain-independent semantics and similarity measures to construct a non-linear graph to provide non-linear means of search results exploration and discovery.…”
Section: Comparison and Discussionmentioning
confidence: 99%
“…Similarly, Lisena et al (2017) developed a modern web application for music exploration and discovery using semantic RDF graphs to establish links between entities and relationships among them. Khalili et al (2017) used inference techniques on the semantic linked open data to produce notably unique information fostering discovery.…”
Section: Related Workmentioning
confidence: 99%
“…Up until now, a large number of music-related datasets have been published as Linked Open Data, where there is a strong emphasis on making music metadata explicit. Linked Data can be applied to describe cataloguing metadata, as exemplied by LinkedBrainz [7] and DoReMus [14]. Emerging elds such as semantic audio combine (audio) analysis techniques and Semantic Web technologies in order to associate provenance metadata with content-based analyses [1,2].…”
Section: Related Work 21 Integration and Interlinkingmentioning
confidence: 99%
“…The returned entities are then associated with the Linked Data URI of the MIDI piece using the dc:subject predicate. 14 The process is entirely automatic, and although a large quantity of entities have been correctly identied, we are aware of inaccuracies in the data (for example, many les have been associated to the entity Life_Model_Decoy, or to Electronic_Dance_Music). Overall, the quality of data could be improved by ltering out entities that are not of specic safe types (Genre, Band, etc.…”
Section: Dataset Additionsmentioning
confidence: 99%
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