2016
DOI: 10.1093/llc/fqw045
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Modelling in digital humanities: Signs in context

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Cited by 29 publications
(16 citation statements)
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“…By modelling I intend mainly the creation and manipulation of external representations, encompassing the whole spectrum of what Bradley (2015) calls tools for making, for exploring and for thinking. Building on previous co-authored research (Ciula and Eide 2014, Ciula and Marras 2016, Ciula and Eide 2017, what I claim in this paper is that modelling can be considered both a meaning-making practice and a strategy to exercise individual and collective (active) memory. To substantiate my claim I chose to focus on textuality -hence on the sociology of the textual condition and the engagement with the digital as an ongoing "repurposing of the work of the past" ( Our tools for memory are many and various.…”
Section: Between Digital and Humanitiesmentioning
confidence: 69%
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“…By modelling I intend mainly the creation and manipulation of external representations, encompassing the whole spectrum of what Bradley (2015) calls tools for making, for exploring and for thinking. Building on previous co-authored research (Ciula and Eide 2014, Ciula and Marras 2016, Ciula and Eide 2017, what I claim in this paper is that modelling can be considered both a meaning-making practice and a strategy to exercise individual and collective (active) memory. To substantiate my claim I chose to focus on textuality -hence on the sociology of the textual condition and the engagement with the digital as an ongoing "repurposing of the work of the past" ( Our tools for memory are many and various.…”
Section: Between Digital and Humanitiesmentioning
confidence: 69%
“…This relation is determined by the context of a theory as well as by the purpose of the specific act of modelling. For more details on the application of this framework to modelling in Digital Humanities see (Ciula and Marras 2016;Ciula and Eide 2017).…”
Section: Modelling Textualitymentioning
confidence: 99%
“…7 For what concerns Textual Criticism, particular attention is devoted to modelling in Unsworth (2002) and Pierazzo (2015). 8 The aim here is the creation of a 'model for production' (Eide 2014:15), and the model in use is a 'metaphorlike model' (Ciula and Eide 2017). 9 The model, highly interpretative, can be used with profit together with facsimiles of the images, more and more common in the digital panorama, or might be expanded to take into account the context (or, better, the co-text) of each reading.…”
Section: Conceptual Modelmentioning
confidence: 99%
“…This model-building process is especially relevant when working with information about our past, in which this gap is usually larger. For these reasons, several authors have recently pointed out how relevant models are in the humanities, and identified improvement and evaluation research needs [2,3]. Thus, conceptual modelling techniques have been emerged as a theoretical valid and practical way to represent humanistic knowledge.…”
Section: Introductionmentioning
confidence: 99%