2001
DOI: 10.1080/00750770109555774
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Monuments, power and contested space— the iconography of Sackville Street (O'Connell Street) before independence (1922)

Abstract: This paper explores the iconography of Dublin's central thoroughfare, O'Connell Street, formerly Sackville Street, as it evolved in the decades before Independence. Theoretically informed by recent developments in the fields of cultural and historical geography, it makes use of metaphors such as the city as text and the iconography of landscape. The paper focuses in particular on the role of public statuary in articulating issues of cultural and political identity in a city of contested space. The monuments er… Show more

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Cited by 34 publications
(12 citation statements)
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“…As facets of the symbolic landscape, various authors have attempted to unravel the meanings bound up in monuments and at particular monumental sites (Young 1992, Johnson 1994, 1995, Peet 1996, Atkinson and Cosgrove 1998, Hill 1998, Osborne 1998, Whelan 2001, Gordon and Osborne 2004, Larsen 2012. According to Martin Auster (1997, p. 219), 'public monuments are of special interest as focal points of meaning in the landscape' and multiple layers of meaning can be unearthed even within the most abstract of monuments.…”
Section: Symbolic Landscapes and The Interpretation Of Public Monumentsmentioning
confidence: 98%
See 1 more Smart Citation
“…As facets of the symbolic landscape, various authors have attempted to unravel the meanings bound up in monuments and at particular monumental sites (Young 1992, Johnson 1994, 1995, Peet 1996, Atkinson and Cosgrove 1998, Hill 1998, Osborne 1998, Whelan 2001, Gordon and Osborne 2004, Larsen 2012. According to Martin Auster (1997, p. 219), 'public monuments are of special interest as focal points of meaning in the landscape' and multiple layers of meaning can be unearthed even within the most abstract of monuments.…”
Section: Symbolic Landscapes and The Interpretation Of Public Monumentsmentioning
confidence: 98%
“…Ireland during the nineteenth century partook to some extent in that era's Europe-wide trend of 'statuemania', a movement which also prevailed in North America during the same period. Whelan (2001Whelan ( , 2002Whelan ( , 2003, Johnson (1994Johnson ( , 1995 and Hill (1998) are among those who have highlighted the impact of the increased drive to erect public monuments on the nineteenth-century Irish landscape and discussed the potential symbolic significance of the resultant memorials. Of such monuments, three erected in early nineteenth-century Ireland were dedicated to one man in particular: Sir Arthur Wellesley, the first Duke of Wellington.…”
Section: Introductionmentioning
confidence: 98%
“…For what was once seen as 'unremarkable' now seems more extraordinary in view of untold social and economic changes. It is possible to detect in some recent historical research a new interest in the tangible experience of urban life, for example through identity, sexuality, symbolization or suburbanization (Nash, 1997;Ryan, 1998a;Whelan, 2001;McManus, 2002). This new urban history of Ireland has made effective use of previously unexplored events in constructing a more ontological view of Irish urbanity and its absorption of modernity.…”
Section: Please Scroll Down For Articlementioning
confidence: 98%
“…Fourthly, outside of the main urban centres, landlord estates represented domination of landownership and agricultural production, manifested in large estate houses (referred to as the 'big house') and remodelled rural villages. In the postcolonial context, the built environment can, therefore, be associated with colonial power (Whelan, 2001(Whelan, , 2002(Whelan, , 2003, but also becomes a nation-building and political tool (Kincaid, 2006;Moore and Whelan, 2007). Thus, residual colonial memories are not necessarily the inevitable product of history or cultural conditions, but may be the result of deliberate and strategic action by political actors within policy struggles.…”
Section: Heritage and Identity In Postcolonial Societiesmentioning
confidence: 99%