Thinking Through the Body 2002
DOI: 10.1007/978-1-4615-0693-5_4
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Moralities of Dress and the Dress of the Dead in Early Medieval Europe

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Cited by 8 publications
(1 citation statement)
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“…The display of weapons formed part of a 'tableau' composed using the dead body and artefacts. This 'symbolic text' was intended to be 'read' by mourners and onlookers as part of a ritual performance and social display (Barrett, 1994;Bazelmans, 2002;Carver, 2000;Geake, 2003;Halsall, 1998Halsall, , 2003Pader, 1982;Whitley, 2002). Yet equally important for remembrance was the relative brevity of the display, what Guy Halsall has referred to as the 'scene-making' quality of furnished burial rites (Halsall, 1998;2003: 68).…”
Section: ■ Weapons In Early Anglo-saxon Inhumation Gravesmentioning
confidence: 99%
“…The display of weapons formed part of a 'tableau' composed using the dead body and artefacts. This 'symbolic text' was intended to be 'read' by mourners and onlookers as part of a ritual performance and social display (Barrett, 1994;Bazelmans, 2002;Carver, 2000;Geake, 2003;Halsall, 1998Halsall, , 2003Pader, 1982;Whitley, 2002). Yet equally important for remembrance was the relative brevity of the display, what Guy Halsall has referred to as the 'scene-making' quality of furnished burial rites (Halsall, 1998;2003: 68).…”
Section: ■ Weapons In Early Anglo-saxon Inhumation Gravesmentioning
confidence: 99%