Ernest Callenbach defined an ecotopian space as an ecologically perfect area or form of imaginary society, a place of refuge from the hustle and bustle of modern metropolitan life. The concept of an ecotopia serves as an appeal to avoid acts of violent aggression that are damaging to the environment and calls for a shift in cultural norms to address the present ecological catastrophe. In Bengali writer Bibhutibhusan Bandyopadhyay’s (1894–1950) literary oeuvre, nature becomes a site of dwelling, a sacred locus bearing witness to the hardships of human existence in the construction of ruthless transformation. This chapter examines the complex relationship between the sacred, natural, and cultural realms in his fiction. This chapter considers how the author employed the natural world as a medium to voice his resistance strategy to the rapid growth of urbanization. This chapter explores how Bandyopadhyay purposefully emphasized the environmental thought to coalesce around the importance of conserving forests, wildlife, and flora in an era, particularly when globalization has “given rise to the threat of global warming and mass extinction” (Chakrabarty, 2021, p. 7). Works to be considered include some of Bandyopadhyay’s most prominent nature narratives, such as Pather Panchali (1929), Aparajito (1932), Aranyak (1932), and Ichhamati (1950).