2016
DOI: 10.1515/applirev-2016-1036
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More than fifty shades of grey: Copyright on social network sites

Abstract: Social Network Sites (SNS) have increasingly grown as platforms for users to publish and promote content (which includes videos, written texts, and images), in addition to interacting socially. While all published material both online and offline is normally protected by copyright laws, what constitutes copyrighted material on SNS can be difficult to distinguish. Moreover, users on these sites can have differing expectations of how their content is used and viewed by others, causing confusion around both the l… Show more

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Cited by 15 publications
(8 citation statements)
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References 9 publications
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“…Although many PUA forum users choose pseudonyms as nicknames for themselves, it is worth considering that the users who willingly use their real-life first and last name together with other identifying information in the PUA forums might not have any trepidations being connected to the movement in the first place, despite it being a high-risk environment. This distinction is in line with Markham and Buchanan's (2012: 13) observation that despite the wide-spread assumption that CMC is a private affair whose producers require anonymity, there exist users who see themselves as authors and wish to be given credit for their writing (see Pihlaja 2016).…”
Section: Implications For Pua Online Researchsupporting
confidence: 70%
“…Although many PUA forum users choose pseudonyms as nicknames for themselves, it is worth considering that the users who willingly use their real-life first and last name together with other identifying information in the PUA forums might not have any trepidations being connected to the movement in the first place, despite it being a high-risk environment. This distinction is in line with Markham and Buchanan's (2012: 13) observation that despite the wide-spread assumption that CMC is a private affair whose producers require anonymity, there exist users who see themselves as authors and wish to be given credit for their writing (see Pihlaja 2016).…”
Section: Implications For Pua Online Researchsupporting
confidence: 70%
“…This policy ensures YouTube creators have a strong incentive not to infringe copyright on the platform. Yet, YouTube’s copyright enforcement system is notoriously prone to error and is largely insensitive to exceptions to copyright such as fair use or fair dealings (Pihlaja, 2017; Soha & McDowell, 2016; Tushnet, 2014). On YouTube, exercising the right to use a work under an exception to copyright will likely be subject to the discretion of rightsholders (Simon, 2014).…”
Section: Copyright Enforcement and Algorithmic Gossip On Youtubementioning
confidence: 99%
“…Fifth, judicial concerns related to ethics and/or copyright were rarely discussed in the articles with the exception of referring to terms and conditions of sites (cf. Pihlaja, 2017). This is surprising given the increasing attention for privacy online.…”
Section: Discussionmentioning
confidence: 99%