Sick) Love and the Older Woman in Marcel Prévost's L'Automne d'une femmeMarcel Prévost, a prolific novelist, journalist, and academician, is best known for works such as Les Demi-Vierges (1894), which demonstrates how Parisian society and education corrupt young women, and Les Vierges fortes (1900), which, according to Louise Lyle, "develop[s] the concept of the secular, self-perpetuating community of female educators only to explode it as an empty ideal" (60). In his 1893 novel, L'Automne d'une femme, Prévost focuses not on virgins but on the older woman, telling the story of forty-year-old Julie, who has languished for over twenty years in an arranged marriage to Antoine Surgère. Despite having the natural ability to ease the suffering of others, Julie shows no interest in nursing her husband when he falls ill, though she eagerly cares for the daughter of one of his colleagues, Claire Esquier, and the son of another associate, Maurice Artoy, who is all too eager to reciprocate when Julie's feelings for him become something more than maternal. Unbeknownst to Julie, however, Maurice and Claire once dabbled in a youthful romance that neither forgot. The glue that holds this tangled web of relationships together is illness, a theme so pervasive that the verb souffrir and its derivatives are employed no fewer than 137 times, along with myriad other terms related to pain. Prévost's creation of a veritable culture of illness in which love cannot possibly flourish for the woman in her "autumn" might be said, in fact, to feed into the Decadent vision of woman as dangerous and corrupting.