Abstract:The text discusses the techniques of combat use of the spear on horseback by the Sarmathian cavalry reflected in visual sources. The author attempts to interpret the «Sarmatian military iconography» on the base of Western European martial treatises of the XV—XVI centuries and expressed his arguments about the presence or absence of mounted shock combat and a spear’s two-handed grip in the Sarmatian military practices.
In conclusion full discussion of the «Sarmatian seat» is based on an a priori statement… Show more
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