2016
DOI: 10.1515/9781626377073
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Movies, Myth, and the National Security State

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“…The prolific cinematic and televisual productions resonating with the US national security state from World War II onward make for a special relationship between American society and how it is imagined on screens, big and small (O'Meara et al 2016). This means that national security entertainment can be used as a form of advertisement for the national security state or a critique of it (Spigel 2004;Takacs 2012;Tasker 2012).…”
Section: Representing Surveillance Technologies and Possible Futures ...mentioning
confidence: 99%
“…The prolific cinematic and televisual productions resonating with the US national security state from World War II onward make for a special relationship between American society and how it is imagined on screens, big and small (O'Meara et al 2016). This means that national security entertainment can be used as a form of advertisement for the national security state or a critique of it (Spigel 2004;Takacs 2012;Tasker 2012).…”
Section: Representing Surveillance Technologies and Possible Futures ...mentioning
confidence: 99%