Abstract:Walking through Salvador de Bahia’s streets one perceives the presence of symbols of the culture of struggle promoted by the Movimento Negro, which invites to encher o espaço (“fill the space”) with celebratory representations of Afro-descent, in response to local structural racism. An attempt was made to understand who or what the Movimento Negro was through fieldwork. The centrality of the material and sensitive dimension, as a space for struggle among economic and racial groups (Rancière 2004), has emerged.… Show more
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