Multiformity in the Song of Ḫedammu

Abstract

A new analysis of the narrative tradition of the Hurro-Hittite Song of Ḫedammu is presented, arguing that two separate Hittite versions can be reconstructed, one relatively condensed, the other more prolix. Such multiformity supports the postulation of an oral tradition lying behind the scribal production of Hurro-Hittite narrative song at Ḫattuša.