2021
DOI: 10.1016/j.system.2021.102522
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Multimodality in the classroom presentation genre: Findings from a study of Turkish psychology undergraduate talks

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Cited by 10 publications
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“…In scientific texts, these semiotic and cultural resources, or modes, combine, and enable their users to create meaningful representations (e.g., a sketch constitutes a realization of a visual mode; Jewitt et al, 2016;Kress & van Leeuwen, 2001;Lynch, 1985) through multimodal genres (e.g., Camiciottoli & Fortanet-Gómez, 2015;Jewitt et al, 2016). There have been multiple studies (e.g., Bateman, 2008;Gray, 2021;Miller & Kelly, 2017;van Leeuwen, 2011), "which seek to identify what constitutes 'multimodality' and to offer analytical frameworks" (Scott, 2010, p. 241); however, as noted by Hiippala (2014), "the concept of multimodal genre" still "lacks a solid theoretical foundation due to the scarcity of empirical research and analytical scrutiny" (p. 112). Thus, there is a clear need for further investigation and theorization of the combinations of multiple semiotic and "cultural resources for making meaning" (Reid, 2019, p. 70; see also Kress & van Leeuwen, 2001) in scientific multimodal genres.…”
mentioning
confidence: 99%
“…In scientific texts, these semiotic and cultural resources, or modes, combine, and enable their users to create meaningful representations (e.g., a sketch constitutes a realization of a visual mode; Jewitt et al, 2016;Kress & van Leeuwen, 2001;Lynch, 1985) through multimodal genres (e.g., Camiciottoli & Fortanet-Gómez, 2015;Jewitt et al, 2016). There have been multiple studies (e.g., Bateman, 2008;Gray, 2021;Miller & Kelly, 2017;van Leeuwen, 2011), "which seek to identify what constitutes 'multimodality' and to offer analytical frameworks" (Scott, 2010, p. 241); however, as noted by Hiippala (2014), "the concept of multimodal genre" still "lacks a solid theoretical foundation due to the scarcity of empirical research and analytical scrutiny" (p. 112). Thus, there is a clear need for further investigation and theorization of the combinations of multiple semiotic and "cultural resources for making meaning" (Reid, 2019, p. 70; see also Kress & van Leeuwen, 2001) in scientific multimodal genres.…”
mentioning
confidence: 99%