“…Such plastic changes can be found at the macroanatomical (Elmer, Hänggi, Meyer, & Jäncke, 2013;Bermudez, Lerch, Evans, & Zatorre, 2009;Schneider et al, 2005) as well as at the functional (Kühnis, Elmer, Meyer, & Jäncke, 2013b;Ellis et al, 2012;Elmer, Meyer, & Jäncke, 2012;Marie, Kujala, & Besson, 2012;Schneider et al, 2005) level and often correlate fairly well with the age of commencement of musical training (Pantev et al, 1998), the years of training (Musacchia, Sams, Skoe, & Kraus, 2007), or even with the cumulative hours of training (Elmer et al, 2012). Therefore, it is not really surprising that training-related changes in auditoryrelated brain regions of musicians strengthen the faculty to perceive or categorize musical sounds (Elmer, Klein, Kühnis, Liem, Meyer, & Jäncke, 2014;Meyer, Baumann, & Jäncke, 2006;Pantev, Roberts, Schulz, Engelien, & Ross, 2001) or even temporal and spectral (Kühnis, Elmer, Meyer, & Jäncke, 2013a;Kühnis et al, 2013b;Elmer et al, 2012;Marie et al, 2012;Marie, Delogu, Lampis, Belardinelli, & Besson, 2011;Marie, Magne, & Besson, 2011) speech information. However, from a methodological point of view, it is important to differentiate between active (i.e., discrimination or categorization) tasks and passive listening paradigms.…”