Abstract:The aim of this paper is to describe and exemplify a theoretical perspective for the analysis of music as symbolic action in critical studies of discourse. We use deployments of music by legislatures in Australia, the UK, and the USA as exemplar cases to develop foundations for a critical, non-semiotic perspective that sees music work as gestalt complexes of physical and cultural forces that move people towards or away from specific actions and attitudes. In presenting our perspective we critique some semiotic… Show more
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