The Oxford Handbook of Mobile Music Studies, Volume 1 2014
DOI: 10.1093/oxfordhb/9780195375725.013.013
|View full text |Cite
|
Sign up to set email alerts
|

Music Ethnography and Recording Technology in the Unbound Digital Era

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
2
0

Year Published

2019
2019
2023
2023

Publication Types

Select...
2

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(2 citation statements)
references
References 0 publications
0
2
0
Order By: Relevance
“…We also have found that Indigenous Bolivians with whom we have worked prefer interacting with audiovisual rather than solely audio recordings of their cultural expressions (see also Schultz and Nye, 2014, 310). This is not surprising given that Indigenous festive performances are multisensorial events where much time is invested in presenting oneself in appropriate traditional dress.…”
Section: Discussionmentioning
confidence: 97%
See 1 more Smart Citation
“…We also have found that Indigenous Bolivians with whom we have worked prefer interacting with audiovisual rather than solely audio recordings of their cultural expressions (see also Schultz and Nye, 2014, 310). This is not surprising given that Indigenous festive performances are multisensorial events where much time is invested in presenting oneself in appropriate traditional dress.…”
Section: Discussionmentioning
confidence: 97%
“…We borrow the term “counterarchive” from scholars who today discuss a Black archival turn that occurred approximately 70 years before the more recent and more often cited theorizations on archival thinking (Castromán Soto, 2021; Lobo, 2020). We prefer the term counterarchive to other possible substitutions like “document” (see Schultz and Nye, 2014), because the former reminds us of the relationships of power that have not disappeared, despite decolonizing intentions. Although scholars have been unpacking the coloniality of the archive since the 1990s, the digital turn carries even more influence in thinking about how agency is articulated from a marginalized position.…”
mentioning
confidence: 99%