2022
DOI: 10.1177/02557614221076150
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Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities

Abstract: Accommodation centres for those seeking asylum present particular contexts in which to facilitate music making. Contextual and systemic difficulties abound. An exploration of a music project within six asylum seeker centres in Ireland is presented with a focus on the experiences of the four facilitators involved. Data are presented from facilitator reflective logs, researcher observations and recorded professional development sessions to uncover the complexities, dilemmas and opportunities that working in such… Show more

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Cited by 5 publications
(3 citation statements)
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“…They created a welcoming hospitable space. This resonates well with research on the use of music to create and facilitate such welcoming spaces (Kenny, 2022b;Rinde, 2023). This provided personal comfort and safety.…”
Section: Counterbalancing Social Control and Safetysupporting
confidence: 70%
“…They created a welcoming hospitable space. This resonates well with research on the use of music to create and facilitate such welcoming spaces (Kenny, 2022b;Rinde, 2023). This provided personal comfort and safety.…”
Section: Counterbalancing Social Control and Safetysupporting
confidence: 70%
“…Thus, resilience refers to intrapersonal actions leading to internal changes such as the capacity for adapting, resisting or overcoming risks and challenges. Empowerment, being externally oriented, is directed to producing changes in inter-relational and community power dynamics (accompanying the more internal or more psychological shifts; Kenny, 2022;Kenny and Young, 2022;Verbena et al, 2022). Another differentiating aspect between resilience and empowerment is associated to context or circumstances.…”
Section: Liquid Integration and The Processual Construction Of Vulner...mentioning
confidence: 99%
“…At the same time, despite these needs and the scholarly interest in community music projects, research-based practices that concentrate on the professional development of the artist-facilitator and on the material that is used in these particular types of interventions are still scarce. Kenny (2022) does highlight the importance of incorporating professional development and reflective practice within community music projects. Moreover, Vougioukalou et al (2019) emphasize that the facilitators should thoroughly consider the types of music used in this type of interventions in order to support positive change, expression and emancipation among participants.…”
Section: Introductionmentioning
confidence: 99%