Music Publishing in the Age of Piracy: The Board of Music Trade and Its Catalogue

Epstein, Dena J.

doi:10.2307/895919

Cited by 3 publications

(7 citation statements)

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“…A second body in the literature corpus is research that focuses music piracy. There is a long history of prior research into and commentary on piracy of music products, notably with regard to sheet music and the ease with which it could be duplicated (Epstein, 1974; Brook, 1975; Pesserilo, 1978). More recent focus on digital piracy has concentrated on pirated digital music and media files (Gopal et al , 2004; Chiou et al , 2005; d' Astous et al , 2005), notably as MP3s (Easley et al , 2003; Lysonski and Durvasula, 2008).…”

Section: Gaps In Understandingmentioning

confidence: 99%

Initial findings of a gap analysis of the digital piracy literature: six undiscovered countries

Goode

2012

Journal of Research in Interactive Marketing

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PurposeDigital piracy continues to be a problem for firms, industry lobby groups and regulators. The purpose of this paper is to report initial findings of a review of the digital piracy literature. To reduce conceptual overlap and duplicated effort, the author aims to identify gaps in understanding for future research.Design/methodology/approachThe paper reviews prior literature on digital piracy across disciplinary areas.FindingsSix gaps are identified, being the supply of pirate digital materials, piracy for non‐desktop environments, alternative distribution methods, the quality of pirate materials, the behaviour of piracy groups, and the benefits of digital piracy. These gaps constitute important undiscovered areas of knowledge.Research limitations/implicationsThe paper excludes working papers and practitioner articles, which may contain different insight. The paper reports initial findings only, and the ongoing analysis may shed new light on these findings.Originality/valueThe paper contributes by providing a multidisciplinary view of gaps in the literature. No prior study has yet reviewed prior literature with a view to identifying these opportunities for future work.

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Section: Gaps In Understandingmentioning

confidence: 99%

Initial findings of a gap analysis of the digital piracy literature: six undiscovered countries

Goode

2012

Journal of Research in Interactive Marketing

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“…In this chapter I have argued that studying the place of Pākehā myths and legends in Hill' at Whakarewarewa, a village located 3.5 km south of Lake Rotorua in the Bay of Plenty region. 5 The full name of the village and adjacent geothermal reserve is Whakarewarewatangao-te-ope-tauā-a-Wāhiao, translated by Te Awekotuku as 'the leaping up in training for battle of the war party of Wāhiao'. 6 To the south of Whakarewarewa lies the hapū's productive land at Parekārangi and the significant mountain Hāparangi.…”

Section: Discussionmentioning

confidence: 99%

“…4 The negative effects of this academic colonisation were countered from the early twentieth century by Indigenous scholars beginning with tourist guide, entrepreneur, and anthropologist Mākereti Papakura and iwi leader, politician, and cultural revivalist Āpirana Ngata. 5 Nonetheless, as Ngāhuia Te Awekotuku observes, even in the late twentieth century:…”

Section: Part One: Māori Research Methodologiesmentioning

confidence: 99%

“…4 Their ancestors migrated from eastern Polynesia on ocean-going canoes, probably in the late thirteenth century. 5 Early tangata whenua lived in chiefdoms, which were divided into two classes: freemen, comprising of chiefs (rangatira) and commoners (tūtūā), and slaves (taurekareka, pononga, mōkai). Chiefs were set apart from commoners by their qualities of tapu (restriction), mana (spiritual authority), ihi (power), and wehi (dread).…”

Section: Termsmentioning

confidence: 99%

“…124 Nēpia Mahuika, 'A Brief History of Whakapapa: Māori Approaches to Genealogy ', Genealogy 3, no.32 (2019): 11. 125 Mahuika, 'A Brief History of Whakapapa',[4][5]. When in late 1877 McGarvey (by then Mrs Starkey) died of pneumonia, Sarah Hoben became the school's teacher and taught music within the curriculum.…”

Section: Māori Biographees and Historical Scholarshipmentioning

confidence: 99%

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Five Lives Represented in the Waiata Collected by Alfred Hill—A Biographical Methodology for the Historiography of Aotearoa New Zealand Musics

Cross

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<p>This thesis addresses the general lack of research on music-making in Aotearoa New Zealand prior to c.1950, and in particular the significant dearth of research on historical socio-musical exchanges made between Māori and Pākehā. Recognising that Māori cannot be excluded from research through ignorance, convenience, epistemological angst, or by design, I develop and test a tikanga-informed biographical methodology for the historiography of Aotearoa New Zealand musics. This methodology draws especially from Nēpia Mahuika’s argument for tikanga-based historical scholarship and the Pūtaiora Writing Group’s Te Ara Tika ethical research model. I present as case studies a collective biography of five individuals represented in the waiata collected by Australasian composer Alfred Hill (1869–1960) between the 1890s and 1950s. These biographees are: Hill; Ernest Hoben (1864–1918); Bella Papakura (c.1870– 1950, Ngāti Wāhiao); Tuahine Rangiuia (1866–1918, Te Aitanga-a-Māhaki; Te Aitanga-a-Hauiti; Ngāti Porou); and Phyllis Williams (1905–1993). Using archival research and interviews conducted with my biographees’ descendants, I tell stories of how these five remarkable musicians engaged in cross-cultural musical exchange for personal fulfilment and to encourage amongst their contemporaries better cross-cultural understanding in the face of the many inequities wrought by colonisation. More broadly, my biographies reveal under-researched and previously unrecognised traditions of music-making in Aotearoa New Zealand, and the unbounded nature of these music cultures. Cross-cultural music traditions discussed in this thesis include waiata collection and recontexualisation, urban and rural haka concerts, men and women’s staged poi dance, rugby smoke concerts, national rugby haka, trans-Tasman theatre culture, popular Pākehā songs, and early women broadcasters. </p>

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The German Apprenticeship of Charles Ives

Simms¹

2011

American Music

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Music Publishing in the Age of Piracy: The Board of Music Trade and Its Catalogue

Cited by 3 publications

References 0 publications

Initial findings of a gap analysis of the digital piracy literature: six undiscovered countries

Initial findings of a gap analysis of the digital piracy literature: six undiscovered countries

Five Lives Represented in the Waiata Collected by Alfred Hill—A Biographical Methodology for the Historiography of Aotearoa New Zealand Musics

The German Apprenticeship of Charles Ives

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