2016
DOI: 10.1177/0022429416647048
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Music Teachers’ Attitudes Toward Transgender Students and Supportive School Practices

Abstract: The purpose of this study was to measure music teachers' attitudes toward transgender individuals and toward school practices that support transgender students. Participants (N = 612) included men and women who teach a variety of music subjects in elementary, middle, and high schools, in urban, suburban, and rural areas. An online questionnaire was distributed to participants representing 28 states in the United States. The questionnaire consisted of demographic information and several attitudinal statements d… Show more

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Cited by 32 publications
(32 citation statements)
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“…While I have long professed to be an LGBTQ ally, in retrospect, before undertaking this project, I had no real understanding of the needs of transgender students, the challenges faced by the transgender community, or the actions I could take to ensure that my classrooms were safe spaces for gender diverse students. My experiences align with McKinney's (2005) findings that university faculty and staff members are often uneducated about transgender issues and Silveira and Goff's (2016) assertion that "although many teachers believe in the importance of creating a safe environment for students regardless of gender identity and expression, they may fail to do so-perhaps due to lack of training or institutional support" (pp. 15-16).…”
Section: Y S T O R Ysupporting
confidence: 67%
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“…While I have long professed to be an LGBTQ ally, in retrospect, before undertaking this project, I had no real understanding of the needs of transgender students, the challenges faced by the transgender community, or the actions I could take to ensure that my classrooms were safe spaces for gender diverse students. My experiences align with McKinney's (2005) findings that university faculty and staff members are often uneducated about transgender issues and Silveira and Goff's (2016) assertion that "although many teachers believe in the importance of creating a safe environment for students regardless of gender identity and expression, they may fail to do so-perhaps due to lack of training or institutional support" (pp. 15-16).…”
Section: Y S T O R Ysupporting
confidence: 67%
“…Within the music education community, educators and researchers have begun to consider how we as music teachers have a responsibility to adapt our practice to accommodate the needs of students of diverse gender and sexual identities. This concern is evidenced by a growing number of articles dealing with lesbian, gay, bisexual, transgender, and queer/questioning (LGBTQ) matters in music education contexts (Aronoff & Gilboa, 2015;Bergonzi, 2009;Carter, 2013;Freer, 2013;Garrett, 2012;Nichols, 2013;Paparo & Sweet, 2014;Silveira & Goff, 2016;Taylor, 2011) as well as the symposium, Establishing Identity: LGBTQ Studies and Music Education, now in its third iteration. In the original call for papers (Establishing Identity, 2009), symposium organizers noted, "Music education has yet to consider research, theory, and practice from a LGBT perspective" (p. 280).…”
mentioning
confidence: 99%
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“…For example , Norton and Herek (2013) found that feeling thermometer ratings (i.e., 0 very cold to 100 very warm) toward transgender people were significantly lower than those toward lesbian, gay, and bisexual people. Male attitudes and feelings toward transgender people tend to be significantly more negative than those of their female counterparts (Elischberger, Glazier, Hill, & Verduzco, 2016;Norton & Herek, 2013;Silveira & Goff, 2016). Additionally, religiosity, endorsement of traditional gender roles, and political conservatism correlate with negative attitudes toward transgender people (Elischberger et al, 2016;Norton & Herek 2013).…”
Section: Expanding the Literaturementioning
confidence: 93%