“…Within the music education community, educators and researchers have begun to consider how we as music teachers have a responsibility to adapt our practice to accommodate the needs of students of diverse gender and sexual identities. This concern is evidenced by a growing number of articles dealing with lesbian, gay, bisexual, transgender, and queer/questioning (LGBTQ) matters in music education contexts (Aronoff & Gilboa, 2015;Bergonzi, 2009;Carter, 2013;Freer, 2013;Garrett, 2012;Nichols, 2013;Paparo & Sweet, 2014;Silveira & Goff, 2016;Taylor, 2011) as well as the symposium, Establishing Identity: LGBTQ Studies and Music Education, now in its third iteration. In the original call for papers (Establishing Identity, 2009), symposium organizers noted, "Music education has yet to consider research, theory, and practice from a LGBT perspective" (p. 280).…”