2021
DOI: 10.1080/14650045.2021.1965575
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Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006)

Abstract: This article explores the potential for the field of popular geopolitics of close attention to the form and structure of instrumental film music. Specifically, it analyses the film scores for Superman (1978) and Superman Returns (2006), showing how these, in conjunction with the films' visual components, communicate a series of geopolitical logics and ideas about gender and nationhood. In so doing, this article extends existing concerns in popular geopolitics with music, principally lyrical popular music, con… Show more

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Cited by 3 publications
(1 citation statement)
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“…The intersection of music and geography has continued to evolve. Kirby (2019) and Kirby (2023) considers the geopolitics of instrumental music, emphasising its importance in conveying geopolitical concepts. Marshall (2011) explores the deep connection between British composers and the landscapes they were associated with, emphasising the profound influence of birthplaces or where composers had chosen to live.…”
Section: Landscape Music and Therapeutic Practicementioning
confidence: 99%
“…The intersection of music and geography has continued to evolve. Kirby (2019) and Kirby (2023) considers the geopolitics of instrumental music, emphasising its importance in conveying geopolitical concepts. Marshall (2011) explores the deep connection between British composers and the landscapes they were associated with, emphasising the profound influence of birthplaces or where composers had chosen to live.…”
Section: Landscape Music and Therapeutic Practicementioning
confidence: 99%