Musical Intimacies and Indigenous Imaginaries

‘McDonald’s Music’ Versus ‘Serious Music’: How Production and Consumption Practices Help to Reproduce Class Inequality in the Classical Music Profession

“…Also important is reverent, still and silent listening (Levine, 1990). This forms a contrast to working-class cultural consumption, which has been described as prioritising pleasure, irreverence, informality, and give-and-take with performers (Bailey, 1978; Barrett, 2016; Dueck, 2013).…”

The Ethnography of Embodied Music Interaction

“…Although some recent theorising attempts to link these different levels and explain how intimate relationships give rise to an awareness or construction of larger-scale groupings (e.g. Dueck ,2013), too little attention is still given to the relationship between belonging to large social formations such as nations or ethnic groups, and belonging to musical ensembles. Music cognition, in constrast, has begun to address the relationship between intimate musical interactions and groupness or 'entitativity' (e.g.…”