2015
DOI: 10.1093/mtp/miv045
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Musical Multicultural Competency in Music Therapy: The First Step

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Cited by 59 publications
(48 citation statements)
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“…Supervisees identified with severe professional competency problems are encouraged to address priority competency areas first (Hsiao, 2014). Then, the supervisee may reenter the multicultural learning process (Hadley & Norris, 2016). Supervisees with problematic behaviors may benefit if they experience "discomfort with various types of diversity in clients" (Dileo, 2001, p. 34).…”
Section: Eligible Superviseesmentioning
confidence: 99%
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“…Supervisees identified with severe professional competency problems are encouraged to address priority competency areas first (Hsiao, 2014). Then, the supervisee may reenter the multicultural learning process (Hadley & Norris, 2016). Supervisees with problematic behaviors may benefit if they experience "discomfort with various types of diversity in clients" (Dileo, 2001, p. 34).…”
Section: Eligible Superviseesmentioning
confidence: 99%
“…This may include pre-professional supervision, internship supervision, professional supervision, group supervision, and peer supervision. Multicultural experiential learning may have positive implications for the majority White female workforce in music therapy (Hadley & Norris, 2016). Using a parallel process in supervision, multicultural experiential learning could develop competence in the supervisor and supervisee, especially when didactic models of multicultural training may not be as effective alone Dileo, 2000;Forinash, 2001;Kim & Lyons, 2003).…”
Section: Across the Supervision Continuummentioning
confidence: 99%
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“…The final step discussed the importance of learning skills to work with individuals of different cultures. These can include music experiences, techniques, and other practices to be inclusive of culture (Hadley & Norris, 2016).…”
Section: Multic Multicultur Ultura Al Lmentioning
confidence: 99%
“…This creates an encouraging environment for students from underrepresented backgrounds, such as students of indigenous or international cultures to study music therapy, which helps diversify a predominantly White female profession (Mahoney, 2015; Music Therapy at Temple University, n.d.; University of Limerick, n.d.; Victoria University of Wellington, n.d.). Multicultural topics in concurrent sessions (10th European Music Therapy Conference, 2016; American Music Therapy Association, 2016; Hadley & Norris, 2016; The World Federation of Music Therapy, 2017b), CMTE's, and in the curriculum (Music Therapy at Temple University, n.d.; Slippery Rock University, n.d.; University of Limerick, n.d.; Victoria University of Wellington, n.d.) require an exploration of the identity of the music therapist and other cultures.…”
Section: Intr Introduction Oductionmentioning
confidence: 99%