2012
DOI: 10.1073/pnas.1113828109
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Musical rhythm spectra from Bach to Joplin obey a 1/ f power law

Abstract: Much of our enjoyment of music comes from its balance of predictability and surprise. Musical pitch fluctuations follow a 1/f power law that precisely achieves this balance. Musical rhythms, especially those of Western classical music, are considered highly regular and predictable, and this predictability has been hypothesized to underlie rhythm's contribution to our enjoyment of music. Are musical rhythms indeed entirely predictable and how do they vary with genre and composer? To answer this question, we ana… Show more

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Cited by 136 publications
(146 citation statements)
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“…Other behavioral data showing evidence for power-law frequency scaling in the temporal organization of errors include size estimation and the detection of threshold stimuli (Gilden et al, 1995;Gilden, 1997;Monto et al, 2008). Long-range temporal correlations in man-made sequences outside the laboratory are also well documented, e.g., the loudness fluctuations in various types of music and speech (Voss and Clarke, 1975;Levitin et al, 2012).…”
Section: Introductionmentioning
confidence: 99%
“…Other behavioral data showing evidence for power-law frequency scaling in the temporal organization of errors include size estimation and the detection of threshold stimuli (Gilden et al, 1995;Gilden, 1997;Monto et al, 2008). Long-range temporal correlations in man-made sequences outside the laboratory are also well documented, e.g., the loudness fluctuations in various types of music and speech (Voss and Clarke, 1975;Levitin et al, 2012).…”
Section: Introductionmentioning
confidence: 99%
“…Listeners significantly prefer music mirroring long-range correlated temporal deviations over uncorrelated (white noise) fluctuations (5,6). LRC are also inherent in the reproduction of both spatial and temporal intervals of single subjects (4,(7)(8)(9) and in musical compositions, such as pitch fluctuations (a simple example of pitch fluctuations is a melody) (10,11) and note lengths (12). The observation of power law correlations in fluctuations of pitch and note length in compositions reflects a hierarchical, selfsimilar structure in these compositions.…”
mentioning
confidence: 99%
“…Tasks tapping into other cognitive domains such as size estimation and detection of threshold stimuli also demonstrate power-law frequency scaling (Gilden et al, 1995;Gilden, 1997;Monto et al, 2008). Naturalistic man-made sequences outside the lab-oriented experimental paradigms like the fluctuations of loudness in speech and music show LRTCs (Voss and Clarke, 1975;Levitin et al, 2012). The biological origins and relevance of these dynamics, however, remain unclear (Farrell et al, 2006 ;Kello, 2010).…”
Section: Neurofeedback Stimulationmentioning
confidence: 99%