Musicians and the politics of dignity in South India

Mason, Kaley; Bohlman, Philip V.

doi:10.1017/cho9781139029476.025

Cited by 13 publications

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Permeable frames: intersections of the performance, the everyday, and the ethical in Chinese street singing

Horlor

2019

Ethnomusicology Forum

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Amateur performances of pop classics take place daily in various public spots in Wuhan, China. Audience members reward singers with cash tips; these practices are bound up in personal relationships established as the two parties socialise at and away from the events. Building on Goffmanian notions of frame shifting, I explore how performance, everyday, and ethical realms of experience intersect during these occasions. Boundaries between performance and everyday frames are indistinct in a physical sense and in how participants relate to each other. This in turn feeds into the integration of the performances in participants' ethical lives. Rather than a shifting between these three frames, I see mutual permeability as the basis for the sociality here.

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Permeable frames: intersections of the performance, the everyday, and the ethical in Chinese street singing

Horlor

2019

Ethnomusicology Forum

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The Invention of Latin American Music

Palomino¹

2020

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This book reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. It proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. It argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history.

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Palomino

2020

The Invention of Latin American Music

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Musicians and the politics of dignity in South India

Cited by 13 publications

References 48 publications

Permeable frames: intersections of the performance, the everyday, and the ethical in Chinese street singing

Permeable frames: intersections of the performance, the everyday, and the ethical in Chinese street singing

The Invention of Latin American Music

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