2013
DOI: 10.1007/s11618-013-0427-8
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Musikalische Aktivitäten von Kindern und Jugendlichen

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Cited by 12 publications
(12 citation statements)
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“…For example, some families with young children face difficulties in fostering their child's talents by incorporating organized activities (Lareau, 2003). Indeed, family musical activities are influenced by socioeconomic (Andresen & Neumann, 2018; Feldhaus & Kreutz, 2021; Grgic, 2016), demographic, and other factors related to parent–child relationships (Grgic, 2016; Kreutz & Feldhaus, 2020). Hille and Schupp (2015) observed positive effects of long-term commitment to music learning as supported by the family.…”
Section: Discussionmentioning
confidence: 99%
“…For example, some families with young children face difficulties in fostering their child's talents by incorporating organized activities (Lareau, 2003). Indeed, family musical activities are influenced by socioeconomic (Andresen & Neumann, 2018; Feldhaus & Kreutz, 2021; Grgic, 2016), demographic, and other factors related to parent–child relationships (Grgic, 2016; Kreutz & Feldhaus, 2020). Hille and Schupp (2015) observed positive effects of long-term commitment to music learning as supported by the family.…”
Section: Discussionmentioning
confidence: 99%
“…The important role of music in adolescence has been an issue of interest, particularly, since in the 20th century, youth culture has increasingly been taken into consideration (Ros-Morente, Oriola-Requena, Gustems-Carnicer, & Filella Guiu, 2019). However, when it comes to the significance of music in the lives of young people, a distinction between active and passive participation must be made: While 95% of young people report listening to music, only about a quarter play an instrument themselves (Grgic & Züchner, 2013; Lamont, Hargreaves, Marshall, & Tarrant, 2003; Medienpädagogischer Forschungsverbund Südwest, 2018). This discrepancy seems to be difficult to overcome as the wide-ranging phenomenon of music in leisure time is difficult to grasp (Mantie & Smith, 2017) and little is known on what kind of out-of-school music classes are appealing to young people.…”
Section: The Intention To Participate In Out-of-school Music Classes ...mentioning
confidence: 99%
“…Regardless of the objectives pursued by the providers of music classes, a major obstacle to overcome is the fact that comparatively few adolescents actively participate in such cultural activities. To make things worse, this participation is less probable, given an unfavorable sociodemographic background (Grgic & Züchner, 2013; Keuchel, 2013). Thus, to increase the number of young people benefiting from out-of-school music classes, both access to these classes for all adolescents and the attractiveness of such classes need to be improved (Federal Ministry of Labour and Social Affairs, 2017).…”
Section: Out-of-school Music Classes: Discrepancy Between Value and P...mentioning
confidence: 99%
“…Often children and adolescents take up sport, gaming, or music activities when they start going to school, changing between them and sometimes quitting very soon after when they enter a new life phase [5]. Taking a closer look at musical trajectories, we often find that musicians quit making music in the transition from adolescence to adulthood, usually when they start working or go to a university [3,22,23].…”
Section: Reasons For Dropping Musical Activitiesmentioning
confidence: 99%
“…The stages of musical learning are often discussed and are usually defined by the proportion of students quitting music [18]. A proposed cluster of age groups is 9-12, 13-17, and 18-24, which can be ranked from very musically active (first group) to not very musically active (last group [23]).…”
Section: Reasons For Dropping Musical Activitiesmentioning
confidence: 99%