Narrative

Reyland, Nicholas

doi:10.4324/9780203136348-10

Cited by 4 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…While conceiving of instrumental music as narrative is in some ways related to the notion of absolute music and has surfaced in musicological discourse time and again, it only gained popularity in Anglophone musicology about thirty years ago, in the wake of the narrative turn (Reyland 2014). Here, various authors argue(d) that pieces of North Atlantic art music -purely instrumental or opera -could be conceived of as self-contained narratives and be analyzed accordingly (see Maus 2005;Almén 2008;Reyland 2012Reyland , 2014.…”

Section: Music and Narrativementioning

confidence: 99%

Epic Television – Music and Sound in Ramayan and Mahabharat

Lesniak¹

View full text Add to dashboard Cite

Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Britta Lesniak aus Detmold Göttingen 2017 II was invaluable and always gave me impulses to think my work further. Prof. Dr. Andreas Waczkat I thank for his willingness to be a third reader of this dissertation, and his helpful feedback during earlier presentations. I want to thank Frank Kelleter and every member and associate member of the entire DFG-Research Unit Popular Seriality: Aesthetics and Practice for including me in this fantastic group for three years and for all the input and exchange during this time, from which I benefited immensely. For financing my research and writing with scholarships and funding, and for the substantial ideational support I want to thank the Studienstiftung des deutschen Volkes and the Graduiertenschule für Geisteswissenschaften Göttingen. My research in New Delhi and Mumbai, India, in 2015 and 2016 would have been impossible without the help from several people. I want to thank Prof. Dr. Philip Lutgendorf for providing me with the material from which I got my first contacts, and Dr. Shubha Chaudhuri at the Archives and Research Center for Ethnomusicology in Gurgaon for her help with my work there and her input. Minnie Vaid and Nitish Bharadwaj were especially helpful when I was trying to get my research started. They generously provided me with contacts and sacrificed their time to meet me, be interviewed by me and spend time with me. Thank you very much. I further want to thank (in alphabetical order) all those people who spent their spare time talking with me and answering my many -and often weird -questions:

show abstract

Section: Music and Narrativementioning

confidence: 99%