The Handbook of Narrative Analysis 2015
DOI: 10.1002/9781118458204.ch20
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Narrative and Cultural Identities

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Cited by 19 publications
(5 citation statements)
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References 57 publications
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“…Whilst Chadwick et al (2018) examine information quality, research on disinformation indicates that identity is also an important consideration (Ong and Cabañes 2019). Indeed, such resources may also include "recognised figures of personhood"-i.e., images of social personae or identities-which audiences encounter through media discourse (Koven 2015). A focus on the relevance of social identity also resonates in important ways with the model of affective polarisation that has become increasingly prominent in American political science (Iyengar et al 2019).…”
Section: Media As Resources For Audience Outragementioning
confidence: 96%
“…Whilst Chadwick et al (2018) examine information quality, research on disinformation indicates that identity is also an important consideration (Ong and Cabañes 2019). Indeed, such resources may also include "recognised figures of personhood"-i.e., images of social personae or identities-which audiences encounter through media discourse (Koven 2015). A focus on the relevance of social identity also resonates in important ways with the model of affective polarisation that has become increasingly prominent in American political science (Iyengar et al 2019).…”
Section: Media As Resources For Audience Outragementioning
confidence: 96%
“…À sua maneira, Freeman (2015) conecta identidade e self 4 . Bamberg, De Fina e Schiffrin Já o estudo de Koven (2015) dialoga com a abordagem de reflexividade de Riessman (2015, p. 338), busca investigar "como as pessoas convocam, executam e avaliam "identidades culturais" reconhecíveis em interações de narrativas" (KOVEN, 2015, p. 338, nossa tradução).…”
Section: Zembylas (2005)unclassified
“…Assim, as afirmações abrangem uma variedade de experiências relacionadas às emoções e identidades culturais (KOVEN, 2015), destacando como esses elementos desempenham um papel importante na forma como a estudante percebe e se relaciona com música, línguas e culturas. Os aspectos mencionados por Bilbo evocam a perspectiva de identidade enquanto processo (DE FINA; SCHIFFRIN; BAMBERG, 2006) e com a percepção de emoções em movimento, gerando efeitos (AHMED, 2014).…”
Section: Portuguese or Englishunclassified
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“…The eventlike nature of emotion is particularly salient in the context of narrative, given the critical distinction between narrating and narrated space-times or chronotopes (Bauman, 1986;Jakobson, 1957;Koven, 2002Koven, , 2015Perrino, 2007;Wortham, 2001). By attending to how emotion is situated within and across narrating and narrated space-times, the study of emotion in narrative thus lends itself to chronotopic and more specifically cross-chronotopic analysis.…”
Section: Introductionmentioning
confidence: 99%