2019
DOI: 10.1080/07481187.2019.1671547
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Navigating power dynamics in engaging communities in end-of-life issues – Lessons learned from developing community-based intergenerational arts initiatives about death and loss

Abstract: Lack of community engagement in end-of-life issues and age-segregation in Swedish society motivated us to develop Studio D€ oBra, a community-based intergenerational arts initiative to support community engagement in end-of-life issues and develop intergenerational meeting places. Representatives from several community organizations formed a project group with first author MK, to develop Studio D€ oBra. Based on analysis of exploratory interviews with professionals involved in other, similar initiatives and da… Show more

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Cited by 12 publications
(28 citation statements)
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“…Contact theory also points to the necessity of external support for intergroup interaction (Kuehne & Melville, 2014). This is especially relevant for intergenerational interaction as children and older adults often depend on support from their communities to create spaces and possibilities for interaction (Hagestad & Uhlenberg, 2005; Kleijberg et al., 2019). Some participants indicated a lack of consistent community support.…”
Section: Discussionmentioning
confidence: 99%
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“…Contact theory also points to the necessity of external support for intergroup interaction (Kuehne & Melville, 2014). This is especially relevant for intergenerational interaction as children and older adults often depend on support from their communities to create spaces and possibilities for interaction (Hagestad & Uhlenberg, 2005; Kleijberg et al., 2019). Some participants indicated a lack of consistent community support.…”
Section: Discussionmentioning
confidence: 99%
“…Two Studio DöBra iterations (2016, 2018) were developed by project groups consisting of MK and community organisation representatives, through a community‐based participatory action research approach (Israel et al., 2017). Lessons learned from the first iteration informed development of the second (Kleijberg et al., 2019). The first Studio DöBra took place in a multi‐ethnic urban area just outside a large city, and the second in a mid‐sized town in another part of Sweden.…”
Section: Methodsmentioning
confidence: 99%
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