2012
DOI: 10.26530/oapen_424532
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Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945

Abstract: This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe.

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Cited by 47 publications
(21 citation statements)
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“…In addition to official statements from the government or local leisure time recommendations, distributed radio reporters (Funkkorrespondenten) 4 provided reports from local factories or about leisure-time activities with their co-workers. 5 Stadtfunk can be seen as a special part of the urban soundscape of Leipzig's past-understood as an acoustic surrounding of people in a particular place at a particular time (Birdsall 2012). Leipzig Stadtfunk, in a way a child of the Cold War, 6 existed from 1950 until 1995.…”
Section: State Of Research and Methodologymentioning
confidence: 99%
“…In addition to official statements from the government or local leisure time recommendations, distributed radio reporters (Funkkorrespondenten) 4 provided reports from local factories or about leisure-time activities with their co-workers. 5 Stadtfunk can be seen as a special part of the urban soundscape of Leipzig's past-understood as an acoustic surrounding of people in a particular place at a particular time (Birdsall 2012). Leipzig Stadtfunk, in a way a child of the Cold War, 6 existed from 1950 until 1995.…”
Section: State Of Research and Methodologymentioning
confidence: 99%
“…However, excessive reliance on preserved documentation often leads to misinterpretations; grey zones and blank spots 30 It is interesting to note that from the point of view of soundscape theory, the written archival material may be treated as inferior. See the review of such discussions in: C. Birdsall, (2012). Nazi Soundscapes.…”
Section: Scope and Methodsmentioning
confidence: 99%
“…Hitlerism in Poland, once faced with the impossibility of either exterminating or displacing all the Poles, applied itself its basic aim, that of depriving the nation of its leading classes both intellectual and economic, of replacing these by the German element, and of 47 C. Birdsall, (2012). Op.…”
Section: Control Of the Symbolic Spaces -A Case Studymentioning
confidence: 99%
“…La experiencia de las dos guerras mundiales y la Guerra Fría se desarrollaron a escalas inimaginables, gracias a los avances técnicos y tecnológicos. El sistema burocrático en torno a los asesinatos en serie, los aparatos técnicos y tecnológicos diseñados para ese fin y los experimentos indiscriminados sobre personas pusieron de presente el poder y el horror de los usos de la tecnología (BIRDSALL, 2012). Lo perpetrado por el nazismo antes y durante la Segunda Guerra Mundial llevó a que Adorno dijera que:…”
Section: El Desarrollo De La Relación Educación Y Tecnología En El Siunclassified