Abstract:Negativity has been widely framed through Edelman’s “no future” orientation. While being productive, this orientation forecloses the potential negativity to foster coalitional alliances. Building off previous works about Valerie Solanas, I turn toward an investigation of the negative affective traces of her SCUM Manifesto to create paths of meaning-making beyond Edelman’s accounting. First, I examine how Solanas uses negative affect in her work. Second, I build from contemporary re-framings of negativity to im… Show more
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