2020
DOI: 10.1016/j.wsif.2020.102407
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Negotiating access, ethics and agendas: Using participatory photography with women anti-mining activists in Peru

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Cited by 6 publications
(5 citation statements)
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“…It is important to us as a team to recognise both the collective knowledge of Afrodescendent women and their ownership over this knowledge. This is why we have given participants the choice of whether or not they want to remain anonymous in relation to their contributions to the research, a practice that is growing in human geography research as recognition of our participants' agency (see, for example, Mukungu, 2017;Gordon, 2019;Jenkins and Boudewijn, 2020). All but one participant decided to be named in relation to their participation, and, of course, we honour their requests here.…”
Section: Epistemological and Methodological Approaches From The Recla...mentioning
confidence: 99%
“…It is important to us as a team to recognise both the collective knowledge of Afrodescendent women and their ownership over this knowledge. This is why we have given participants the choice of whether or not they want to remain anonymous in relation to their contributions to the research, a practice that is growing in human geography research as recognition of our participants' agency (see, for example, Mukungu, 2017;Gordon, 2019;Jenkins and Boudewijn, 2020). All but one participant decided to be named in relation to their participation, and, of course, we honour their requests here.…”
Section: Epistemological and Methodological Approaches From The Recla...mentioning
confidence: 99%
“…Visual methods enable participants to reflect on their images and discuss aspects that could be difficult to access or explain without the aid of photography. The use of visual data added nuance to the data and created knowledge that could not otherwise be explored with verbal data only ( Jenkins and Boudewijn, 2020 ). In our project, we based the first session activity on the photovoice methodology proposed by Wang and Burris (1997) and photo-elicitation proposed by Harper (2002) .…”
Section: Addressing Dandi Paradoxes Through the Iasi Workhop: Opportu...mentioning
confidence: 99%
“…Whilst there is an element of ‘rose-tinted glasses’ to these depictions of bountiful rural idylls (Jenkins and Boudewijn, 2020), I argue that they can be understood as hopeful depictions of alternative development trajectories that are already in existence, counteracting uni-dimensional narratives around large-scale resource extraction, and refusing to be bound by oppositional narratives that focus on the negatives of mining, instead making visible and finding joy in multiple development trajectories and ‘the diversity of social, political and economic realities’ (McKinnon, 2016) already existing in the present. Such an approach also reflects Poole’s (1997) recognition of the role of pleasure in photography: ‘we frequently forget that images are also about the pleasures of looking.…”
Section: Hoped-for Futures Enacted In the Presentmentioning
confidence: 99%
“…2.See Jenkins and Boudewijn (2020) for a detailed discussion of the methodology and ethical considerations. Oral consent was gained from all participants, some of whom chose to be identified by their own names (full names in interview quotes and photo credits), with others choosing to use pseudonyms (first name only in interview quotes and photo credits).…”
mentioning
confidence: 99%