This special issue of the journal Folklore: Electronic Journal of Folklore is dedicated to belief narratives. The articles in the current issue are based on papers that were presented at two joint conferences that took place simultaneously in Macau (China) on March 23-28, 2015. Both conferences focused on the traditions of the supernatural: the conference under the heading Vernacular Religion, Folk Belief, and Traditions of the Supernatural concentrated on the representations of the supernatural in folklore, whereas the second conference, The Supernatural in Literature and Film, explored more specifically the role of the supernatural in literature and film. The idea of the conferences was to explore scientific theories and analyses regarding the concept of the supernatural and supernatural experiences, and find ways to compare respective data across cultures. The current journal issue offers a selection of articles and case studies that are additionally linked with the topic of belief narratives and narrativity, and investigate it from various angles. As for various reasons some of the initially planned authors could not be published, two other topical articles (authored by Victoria Chervaneva and Vito Carrassi) were added to the original selection. As a separate section, the journal presents a case analysis by Elizabeth Ann Berton-Reilly about an American Estonian woman, offering an example of how supernatural beliefs are integrated into life history narration and identity-building. Research on supernatural experiences, belief narratives, and vernacular belief in a broader sense has increasingly become a trend not only among folklorists, but also other scientists of the humanities (e.g. theologians, historians, scholars of literature). In earlier folklore research, the term 'folk belief' was mostly applied to peasant groups in culturally homogeneous village societies. In the recent decades the meaning of the term has expanded, covering also urban populations and internet communities, which are similarly important contexts where such traditions of creative cultural production develop and spread. The emphasis in research is not any more on 'folk', but rather on individuals, groups, and communities. As Adam Grydehoj, the main organiser of these two conferhttp://www.folklore.ee/folklore/vol65/introduction.pdf