2016
DOI: 10.1007/s00371-016-1324-y
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New advances for haptic rendering: state of the art

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Cited by 22 publications
(15 citation statements)
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“…The hardware, known as display interfaces, or output devices, presents information to one or more of the user’s senses through the human perceptual system; the majority focus on stimulating the visual and auditory senses. More recently, several solutions have emerged that stimulate the user’s haptic (i.e., force and touch) senses (Xia, 2018), the olfactory system (Ischer et al, 2014) and taste (Ranasinghe et al, 2012). There are still great technical difficulties in producing portable and high-fidelity output devices for the haptic, olfactory and taste senses.…”
Section: A New Methodological Research Framework For Virtual Experienmentioning
confidence: 99%
“…The hardware, known as display interfaces, or output devices, presents information to one or more of the user’s senses through the human perceptual system; the majority focus on stimulating the visual and auditory senses. More recently, several solutions have emerged that stimulate the user’s haptic (i.e., force and touch) senses (Xia, 2018), the olfactory system (Ischer et al, 2014) and taste (Ranasinghe et al, 2012). There are still great technical difficulties in producing portable and high-fidelity output devices for the haptic, olfactory and taste senses.…”
Section: A New Methodological Research Framework For Virtual Experienmentioning
confidence: 99%
“…While many methods have been explored to render rigid and deformable objects, the haptic rendering of fluids has been mostly neglected thus far. However, it is crucial to many application areas [9], such as training divers, underwater search and rescue, maintenance of nuclear reactors, and in general operation of robots/machines in environments where fluid forces (from e.g. mud, oil or water) are significant.…”
Section: B Computing Fluid Forcesmentioning
confidence: 99%
“…Despite some discrepancies, the above results (Figures [24][25][26] show that the ROS-ROBOTRAN coupling proposed in this paper allows to develop a haptic key for digital pianos able to reproduce the F haptic action dynamic force quite faithfully, i.e., the goldstandard touch of a grand piano. Moreover, the symbolic multibody modeling approach makes it very easy to modify any physical parameter of the action or even the action itself in the haptic device, to modulate the haptic force accordingly.…”
Section: Figure 23mentioning
confidence: 77%
“…Despite all these researches, the real-time multibody models are still rarely embedded in haptic devices, the goal being to improve the feedback for “rigid–rigid interaction” type applications, which only represent one of the multiple components of the Haptic rendering discipline [ 26 ]. Haptic devices often consider simplified dynamics to synthesize the haptic feedback, for example in the REPLALINK prototype [ 27 ] or in a piano action model [ 28 ] (see also Section 5.1 ).…”
Section: State-of-the-artmentioning
confidence: 99%