Proceedings of the 14th International Conference on Computer Systems and Technologies 2013
DOI: 10.1145/2516775.2516803
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New digital fashion world

Abstract: The contemporary information space provides a special place for the fashion art exhibitions. The fashion art reflects not only the choice of the society for the clothes, but it is a valuable cultural heritagea long-term commitment for dress designers. Preserving and presenting this treasure is not new task, but the digital world gives a new vision on fashion creation and performing. In this paper we presented the first attempt in Bulgaria to be developed a multimedia digital library, keeping fashion objects, c… Show more

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Cited by 7 publications
(4 citation statements)
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“…It showed how fashion digital transformation is related to religion and customs and traditions; some examples are related to the importance to consider the contribution of digitalisation on the spread of local trends connected to religion, such as modest fashion, to a more globalised fashion environment or it directly refers to the use of religious customs and their impact within the fashion field, for example by utilising digital printed Muslim motifs (Andriana, 2019;Indarti & Peng, 2017). Furthermore, it considered and provided different perspectives proposed on the new ways of preserving fashion as a form of art and heritage for communities (Luchev, Paneva-Marinova, Pavlova-Draganova, & Pavlov, 2013), including the digitalisation of archives for cataloguing collections not only for marketing exploitation but also for cultural dissemination (Martin & Ko, 2011;Takahashi, 2013).…”
Section: Cands: Culturementioning
confidence: 99%
“…It showed how fashion digital transformation is related to religion and customs and traditions; some examples are related to the importance to consider the contribution of digitalisation on the spread of local trends connected to religion, such as modest fashion, to a more globalised fashion environment or it directly refers to the use of religious customs and their impact within the fashion field, for example by utilising digital printed Muslim motifs (Andriana, 2019;Indarti & Peng, 2017). Furthermore, it considered and provided different perspectives proposed on the new ways of preserving fashion as a form of art and heritage for communities (Luchev, Paneva-Marinova, Pavlova-Draganova, & Pavlov, 2013), including the digitalisation of archives for cataloguing collections not only for marketing exploitation but also for cultural dissemination (Martin & Ko, 2011;Takahashi, 2013).…”
Section: Cands: Culturementioning
confidence: 99%
“…The above described solution for virtual museum architecture follows authors' previous developments in the digital content management systems (viz.. digital libraries, digital repositories, galleries, etc.) for Bulgarian artworks and treasuries (see (Paneva-Marinova, Goynov, & Luchev, 2017), (Luchev, Paneva-Marinova, Pavlova-Draganova, & Pavlov, 2013), (Paneva-Marinova, Pavlov, & Rangochev, 2010), (Pavlova-Draganova, Paneva-Marinova, and (Goynov, Paneva-Marinova, & Dimitrova, 2011). These systems are successfully implemented to presents the valuable Bulgarian cultural heritage: Bulgarian iconographic art, Bulgarian ethnographic and folklore artefacts, medieval and early modern Bulgarian texts for saints in combination with ethnological data and visual sources, etc.…”
Section: Museum Content Presentationmentioning
confidence: 99%
“…Digitalization also transforms decision-making in planning and implements production with more effective and efficient workflows (Ludbrook et al, 2019). Moreover, digitalization transforms fashion culture and society, enabling creative and sustainable solutions to the preservation of artworks (Luchev et al, 2013), fashion education (Lenoir, 2019), and virtual product consumption (Segran, 2020).…”
Section: Introductionmentioning
confidence: 99%