No Penis? No Problem: Intersections of Queerness and Disability in Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman

Wiehe, Jarred

doi:10.1353/ecy.2017.0015

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Queering Disability/cripping Queerness1

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2021

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“…Like Farr, Wiehe (2017) posits that 18th‐century novels lay the groundwork for revelations in which disabling pleasures and the pleasures of disability are robust trajectories to understand and finesse the rise of the novel discourse. Wiehe imagines the imbrication of queerness and disability—and rejection of able‐bodiedness—in Laurence Sterne's Tristram Shandy (1759).…”

Section: Queering Disability/cripping Queernessmentioning

confidence: 99%

Eighteenth‐century queer studies, revisited

Chow

2021

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This review essays opens with concerns over “crisis” that have spurred widespread panic about the state and future of the humanities. Crisis, I suggest, is the rallying call for new directions in and reinvention of 18th‐century queer studies. By advocating for recuperative histories wherein crisis is a motivational force that pushes 18th‐century queer studies to be further self‐reflexive and intersectional, I examine three potent trends and their portents for 18th‐century studies: masculinity studies, the nexus of queer and disability studies, and trans studies. I close with a continued call for examinations of queerness and race as they might enlighten the long 18th century. This article ultimately surveys current terrains of 18th‐century queer studies and its commitments to evolve inclusively, dynamically, and unapologetically.

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Section: Queering Disability/cripping Queernessmentioning

confidence: 99%

Eighteenth‐century queer studies, revisited

Chow

2021

Literature Compass

View full text Add to dashboard Cite

show abstract

No Penis? No Problem: Intersections of Queerness and Disability in Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman

Cited by 1 publication

References 12 publications

Eighteenth‐century queer studies, revisited

Eighteenth‐century queer studies, revisited

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