2023
DOI: 10.1007/s12210-023-01143-7
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Novel implementation of the INFN-CHNet X-ray fluorescence scanner for the study of ancient photographs, archaeological pottery, and rock art

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Cited by 6 publications
(4 citation statements)
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“…The internal colour has been generated by carbonization deposits resulting from charred vegetal materials, while the external motifs were executed using Mn and/or Fe oxides (magnetite, a mixture of magnetite and hematite, respectively). Preliminary studies performed in our group using a macro-XRF scanner also support these results and show a high concentration of Fe and Mn in black external motifs (Taccetti et al, 2023). For red colours, our results support the conclusions achieved in prior studies pointing out the Fe-rich composition based on hematite (Baldini et al, 2005;De la Fuente & Pérez Martínez, 2008).…”
Section: Discussionsupporting
confidence: 90%
“…The internal colour has been generated by carbonization deposits resulting from charred vegetal materials, while the external motifs were executed using Mn and/or Fe oxides (magnetite, a mixture of magnetite and hematite, respectively). Preliminary studies performed in our group using a macro-XRF scanner also support these results and show a high concentration of Fe and Mn in black external motifs (Taccetti et al, 2023). For red colours, our results support the conclusions achieved in prior studies pointing out the Fe-rich composition based on hematite (Baldini et al, 2005;De la Fuente & Pérez Martínez, 2008).…”
Section: Discussionsupporting
confidence: 90%
“…X-ray fluorescence (XRF) is one of the most used techniques for the characterization of inks in manuscripts [33][34][35]. Although the technique is not sensitive to materials with low atomic numbers (for example carbon ink), it has been revealed to be suitable for the detection of iron-based materials, i.e., iron gall ink, and pigments composed of chemical elements with medium/high atomic numbers (i.e., mercury, lead, and copper).…”
Section: Macro X-ray Fluorescence (Xrf) Imagingmentioning
confidence: 99%
“…One of the main objectives of relic restoration is to understand profound historical facts through these wares and to explore the people's lives, behavior, and cultural traditions [42] from the archaeological perspective. The virtual archaeology of ceramic pigments and THE reconstruction of their decorations contributed to more knowledge of the specific culture, origin, and trading information [43].…”
Section: Usability Of Ceramic Restoration With Vr Technologymentioning
confidence: 99%