2016
DOI: 10.1177/000313131606600105
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Now you See it, Now you Don't: Participatory Stratification in Public School Orchestras

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“…However, western classical music can also be a powerful instrument of empire (Vaugeois, 2013;Yerichuk, 2016). It follows, unfortunately, that the music classroom can also be a place of alienation or confirmation that "my music doesn't count" (Ammerman, 2016;Hoffman, 2011;Wesley D. Brewer, 2010). Whether one's music matters is so tremendously important because we have shown that it is a major locus for and signifier of one's identity (Asher, 1999;Yon, 2000).…”
mentioning
confidence: 99%
“…However, western classical music can also be a powerful instrument of empire (Vaugeois, 2013;Yerichuk, 2016). It follows, unfortunately, that the music classroom can also be a place of alienation or confirmation that "my music doesn't count" (Ammerman, 2016;Hoffman, 2011;Wesley D. Brewer, 2010). Whether one's music matters is so tremendously important because we have shown that it is a major locus for and signifier of one's identity (Asher, 1999;Yon, 2000).…”
mentioning
confidence: 99%