2016
DOI: 10.1007/s11199-016-0592-3
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Objectification in Popular Music Lyrics: An Examination of Gender and Genre Differences

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Cited by 43 publications
(44 citation statements)
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“…First of all, there is a literature suggesting that music can impact both explicit and implicit self-esteem in general (Elvers, Fischinger, & Steffens, 2018), with women in particular using music for empowerment and personal growth (Travis, Bowman, Childs, & Villanueva, 2016). Content analyses suggest that women's bodies are routinely objectified in music lyrics (Aubrey & Frisby, 2011;Flynn, Craig, Anderson, & Holody, 2016). Other research suggests that music lyrics tend to be even more important than musical tone in predicting listener behavior, suggesting that the message matters (Lennings & Warburton, 2011).…”
Section: Body Positivity and Musicmentioning
confidence: 99%
“…First of all, there is a literature suggesting that music can impact both explicit and implicit self-esteem in general (Elvers, Fischinger, & Steffens, 2018), with women in particular using music for empowerment and personal growth (Travis, Bowman, Childs, & Villanueva, 2016). Content analyses suggest that women's bodies are routinely objectified in music lyrics (Aubrey & Frisby, 2011;Flynn, Craig, Anderson, & Holody, 2016). Other research suggests that music lyrics tend to be even more important than musical tone in predicting listener behavior, suggesting that the message matters (Lennings & Warburton, 2011).…”
Section: Body Positivity and Musicmentioning
confidence: 99%
“…One of the most influential collection of music charts, the US-based Billboard charts, has been used in this context to examine the evolution of popular music and to test theories of cultural change [1]. Other approaches concentrated on the fractional representation of race and gender [2,3], on the distribution of blockbusters among superstars [4], on linguistic and psychological aspects [5,6] and on the question whether there is a trend towards a converging global popular music culture [7]. For the UK charts, a correlation analysis between musical trends, acoustic features and chart success has been performed [8].…”
Section: Introductionmentioning
confidence: 99%
“…Objectification theory developed by Fredrickson and Roberts () postulates that Western societies sexually objectify women and consider them objects that can be looked at and judged by others. Twenty‐two years later, sexual objectification – the tendency to consider or treat a person as a sexual object (Bartky, ) – is still present in various media (e.g., television, internet, music, magazines, video games) by conveying sexualized, idealized and stereotyped images of women (e.g., Flynn, Craig, Anderson & Holody, ; Hatton & Trautner, ; Wollast, Puvia, Bernard, Tevichapong & Klein, ). Importantly, this sexualization in media outlets like Facebook (Fardouly, Diedrichs, Vartanian & Halliwell, ), sexualizing sitcoms (Vandenbosch & Eggermont, ), and sexualizing music videos (Karsay & Matthes, ) increases women's exposure to sexualized ideals.…”
Section: Introductionmentioning
confidence: 99%