2017
DOI: 10.1016/j.jvoice.2016.06.016
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Objective Identification of Prepubertal Female Singers and Non-singers by Singing Power Ratio Using Matlab

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Cited by 8 publications
(3 citation statements)
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“…These skills are often developed as a result of training and singing experience, thereby creating a distinction in physiological, acoustic, and perceptual parameters of the voices of singers compared with that of non-singers. [3,4] The process of singing needs voice modulation which involves training of vocal muscles, vocal cords and other structures and systems involved in the production of voice. [4] It also needs a perfect coordination of brain and body.…”
Section: Introductionmentioning
confidence: 99%
“…These skills are often developed as a result of training and singing experience, thereby creating a distinction in physiological, acoustic, and perceptual parameters of the voices of singers compared with that of non-singers. [3,4] The process of singing needs voice modulation which involves training of vocal muscles, vocal cords and other structures and systems involved in the production of voice. [4] It also needs a perfect coordination of brain and body.…”
Section: Introductionmentioning
confidence: 99%
“…In particular, it has been reported that the sound spectra of well-trained male opera singers exhibit a significant peak at about 3 kHz, which is absent in untrained singers [2]. This spectral peak is called the singer's formant; it has been analyzed with spectral modeling synthesis and has been issued as the singing power ratio [3][4][5][6] or quality ratio [7].…”
Section: Introductionmentioning
confidence: 99%
“…The idea of using voice recognition in biometric systems is shown in [6]. Interesting approach to analysis of sound is shown in [7], where the system identifies singer based on power of sound. Another approach is to use acoustic-spectrographic action in these field what was introduced in [8].…”
Section: Introductionmentioning
confidence: 99%