Oda a una urna griega

Keats, John; Sánchez, José David Pujante

doi:10.14198/raei.1989.2.18

Cited by 7 publications

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“…The experience of beauty is both sensual and aesthetic as well as relational and is itself growth producing, being intimately linked with truth, faith, and with feeling real. In the words of Keats (1999), "Beauty is truth, truth, beauty. .…”

Section: Resultsmentioning

confidence: 99%

’Tis Beauty Kills the Beast: Aesthetic and Sensory Transformations of Encapsulated States

Chassay

2015

Studies in Gender and Sexuality

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The author examines a particular form of addictive exploitation of sensory experience to extend Meltzer's concept of claustrum states. She elaborates how bodily experience-both the patient's and the analyst's-is key to emergence from these states. Following the distinction between holding and containing made by Bion and Cartwright, the author traces the reciprocity of meaning making through the analyst's seeing/sensing of beauty in the patient, noted by the analyst's erotic response to a coming-alive self, allowing for aesthetic reciprocity and transformation. PROLOGUEIn the first book of C. S. Lewis' (2003) space trilogy, 1 the scientist Ransom is abducted in a spaceship by a pair of megalomaniac scientists bent upon the exploitation of extraterrestrial worlds. As their vessel breaks through the earth's gravitational field and into the luminous reaches of deep space, Ransom's terror at his plight gives way to a state of exaltation. Up until this moment, he realizes, he had been dominated by his rationalist scientific worldview. He had imagined earth to be suspended in an insensate void, a terrain from which life flared up briefly, only to be extinguished in a vacuum of meaninglessness. Now, looking out upon an infinite expanse of celestial radiance, he felt as if he were contained within a "womb of worlds" (Lewis, 2003, p. 34), of infinite iterations of living forms shot through with light that streamed through him in currents of aliveness. He became aware that up until this moment his life had been held together by a muscular contraction of existential dread, a chronic clenching against an abyss of meaninglessness. With this revelation, he found himself now inhabiting a world drenched in meaning, and his heart rose to meet it, swollen with delight.Katy, the daughter of a highly intrusive and controlling mother, spends the vast majority of the time when she is not working lying on the couch watching reality TV and eating junk food. She is able to slip through a wormhole in her everyday world and enter an alternate reality in which the boundary between day and night, conscious and unconscious, dissolves into a timeless present of narcotic sensory gratification. Over the years her emotional life has become blunted 1 Out of the Silent Planet. Correspondence should be sent to Karen Peoples, Ph.D., 6 CHASSAY and downgraded to a world of craving and satiation, lulled by the softness of the couch, the reassuring companionship and surrogate living she gets from a constant stream of reality TV shows, the perverse triumph of her absolute untouchability. She is now in her mid 30s, and although successful enough at work, she has never had sex, barely even dated. A first-generation immigrant, she comes from a culture that privileges arranged marriage, a mandate that she has been able to elude by declining all prospective suitors while enacting a form of arranged marriage with what we have come to call "couch-world." Outside the boundaries of this world lies an unthinkable darkness; within it, escape from an oppressive matern...

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Section: Resultsmentioning

confidence: 99%

’Tis Beauty Kills the Beast: Aesthetic and Sensory Transformations of Encapsulated States

Chassay

2015

Studies in Gender and Sexuality

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“…In order to be beautiful, an action, or way of being must have the purpose of being good" (Ladkin, 2008, p. 34). This is reminiscent of Keats's phrase "Beauty is truth, truth beauty" from his "Ode on a Grecian Urn" (Keats, 1820). It also contrasts with some recent uses of the word "aesthetics," which as Gabriel (2008, p. 5) has pointed out has been juxtaposed with ethics.…”

Section: Relational Aestheticsmentioning

confidence: 94%

Relational Aesthetics and Emotional Relations: Leadership on Board Merchant Marine Ships

Gharibyan-Kefalloniti¹

2012

Organization Management Journal

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“…Too many charts are evaluated on coolness and eye-catching style. I would follow Keats's (1820) "Beauty is truth, truth beauty" and state that a chart that does not truthfully display data in a usable way is not beautiful. Edward Tufte's books have done a tremendous service to the graphical display of information, but people who try to follow his example often copy the form and fail to replicate the substance.…”

Section: A Flashy Waste Of Timementioning

confidence: 99%

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Wills

2011

Journal of Computational and Graphical Statistics

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Oda a una urna griega

Abstract: Ode on a Grecian urn = Oda a una urna griega / recreación de J. David Pujante

Cited by 7 publications

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’Tis Beauty Kills the Beast: Aesthetic and Sensory Transformations of Encapsulated States

’Tis Beauty Kills the Beast: Aesthetic and Sensory Transformations of Encapsulated States

Relational Aesthetics and Emotional Relations: Leadership on Board Merchant Marine Ships

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