2022
DOI: 10.1111/cgf.14518
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Of Course it's Political! A Critical Inquiry into Underemphasized Dimensions in Civic Text Visualization

Abstract: Recent developments in critical information visualization have brought the field's attention to political, feminist, ethical, and rhetorical aspects of data visualization. However, less work has explored the interplay between design decisions and political ramifications—structures of authority, means of representation, etc. In this paper, we build upon these critical perspectives and highlight the political aspect of civic text visualization especially in the context of democratic decision‐making. Based on a c… Show more

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Cited by 18 publications
(7 citation statements)
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“…Especially for those downstream applications we categorize under the domain of humanities, social sciences, and education , and business, management, governance, law , they intend to assist in the decisionmaking process for governments, companies, and domain specialists. As Baumer et al argue in their recent study [BJSM22], further perspectives beyond the purely analytical one apply in such scenarios (namely, the political one), which must be taken into account when considering the existing or designing new such approaches.…”
Section: Discussionmentioning
confidence: 99%
“…Especially for those downstream applications we categorize under the domain of humanities, social sciences, and education , and business, management, governance, law , they intend to assist in the decisionmaking process for governments, companies, and domain specialists. As Baumer et al argue in their recent study [BJSM22], further perspectives beyond the purely analytical one apply in such scenarios (namely, the political one), which must be taken into account when considering the existing or designing new such approaches.…”
Section: Discussionmentioning
confidence: 99%
“…Correll [23] summarizes several important arguments against the neutrality of visualizations: data itself is not neutral, the absence or presence of information is often a deliberate choice, and the choice of visual encoding techniques profoundly impacts what people see or learn from a visualization. Similar concerns have been raised in work on Critical InfoVis [31], Visualization Mirages [53], Anthropographics [55], and work in a political context [9]. To overcome some of these challenges, Dörk et al [31] outlined a process to examine visualizations for their subjective and interpretive content critically.…”
Section: Related Work In Visualizationmentioning
confidence: 95%
“…We see our work as part of ongoing efforts in the visualization community to raise awareness of the ethical dimensions of working with and representing data. This conversation has taken place in research papers [9,23,30,55,62], the Vis4Good workshops (https://vis4good.github.io/), and in discussions of diversity within the community itself [65,66,73]. Correll [23] summarizes several important arguments against the neutrality of visualizations: data itself is not neutral, the absence or presence of information is often a deliberate choice, and the choice of visual encoding techniques profoundly impacts what people see or learn from a visualization.…”
Section: Related Work In Visualizationmentioning
confidence: 99%
“…The popularity of tag clouds during the rise of Web 2.0 and availability of both offline and online word cloud generator tools such as Wordle , 9 which allowed quite a large degree of customization to the end users with respect to the font families, colors, etc., led to the wide adoption of this visualization technique among the general public, but also across various academic environments (word clouds can support, for instance, investigation of the language use and lexical semantic change over time 44 ). As mentioned above, the prior work has discussed this phenomenon and proposed several feasible explanations as well as perspectives on the use of word clouds 1,8 ; such perspectives could be related to the existing discussions of the need to consider not only the analytical perspective in information visualization, 45 as well as the preference of even advanced users (with respect to the level of technical knowledge) for more straightforward techniques (“simple is good”). 46 Nevertheless, the question of whether the target audience always understands the encoding used for word clouds created by themselves or other authors as opposed to appreciating its esthetics without focusing on the contents remains generally unanswered.…”
Section: Background and Related Workmentioning
confidence: 99%