My small tribute to a great person I was introduced to Prof. Vuyani Vellem by our mutual friend, Prof. Graham Duncan, when I started my postdoctoral fellowship at the (then) Faculty of Theology, University of Pretoria, in 2013. The day I first met him, I remember being somewhat intimidated by his profound voice, loud laughter (he was one of the few at the Faculty who could compete with my then mentor, Prof. Duncan, in this regard) and his earthy jokes about white racists controlling the church. But, unlike in some other cases, I did not feel judged by him. Professor Vellem, whilst being candid and upfront, embraced me the way I was back then: a bit scared, a bit too serious and ambitious about my academic career, and perhaps a bit too self-righteous about my commitment to 'things black'. I knew I met a real person, well-grounded in his cultural and theological heritage.Every inch a Xhosa man and, despite all his criticism of church politics, every inch a committed Presbyterian churchman, unpretentious and authentic as he was, Prof. Vellem simply did not need to wear masks. But I believe it was also part of his deliberate choice, as one of the relatively few black academics at the Faculty at that time. In my eyes, that was his way of bearing a prophetic witness on the edge of the inside (Rohr 2014:34), particularly vis-à-vis racism in the church and in the academy. To recall the phrase Prof. Maluleke used in his eulogy, it was in such a context that Prof. Vellem's anger -this 'raging fire … put out so suddenly and, to our mind, so prematurely' (Maluleke 2020), would leave some feeling challenged or even threatened, and others -inspired and empowered to confront and name the (often ugly) reality of our hugely untransformed society.It would be fair to say, I guess, that Prof. Vellem has become something of an informal mentor to me, even though he has always treated me like an equal -a colleague and a research collaborator The modest goal of this article is to creatively unpack and render more accessible (mainly by means of cultural illustrations) Vuyani Vellem's account of the virtual spirituality of Empire. Geared towards the maximisation of the economic profit by the elite at the expense of the poor, today's Empire is a result of the unprecedented convergence of the military, political, economic and cultural powers, along with advanced sciences and technologies. All these forces are mediated through a particular kind of deadly spirituality, which is propelled chiefly through virtual images. Whether it manifests itself through an act of a political manipulation or through unconscious assimilation of the historically oppressive forms of religiosity, an imperial logic invariably leads to the 'capture' of the spiritual assets for political and/or economic ends, instead of God. As such, it reveals the fundamental incompatibility of these resources with their source of inspiration. What Vellem refers to as virtual spirituality appears, then, as a fatal disequilibrium of powers between the innermost being and the exterio...