On Microperformativity

Hauser, Jens; Strecker, Lucie

doi:10.1080/13528165.2020.1807739

Cited by 5 publications

(1 citation statement)

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“…The visual arts, in particular, has a similar desire to see and to be seen, especially when examining invisible matter such as the microscopic. Jens Hauser and Lucie Strecker demarcate a current trend of micro-related performance practices as Microperformativity (Hauser and Strecker, 2020). Hauser and Strecker go on to define Microperformativity as: a current trend in theories of performativity and performative artistic practices to destabilize human scales (both spatial and temporal) as the dominant plane of reference, and to emphasize biological and technological micro-agencies that, beyond the mesoscopic human body, relate the invisibility of the microscopic to the incomprehensibility of the macroscopic (Hauser and Strekker, 2020).…”

Section: Microperformance and Visualizing The Invisiblementioning

confidence: 99%

(R)EVOLUTION: Optogenetics and Interspecies Microperformance

Walsh

2021

Electronic Workshops in Computing

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Optogenetics is a set of biological techniques that proposes a future where many neurological diseases in humans could one day be treated with light. It also gives way to the idea that humans can control other organisms, such as light-responsive algae, through genetic modification techniques. These techniques have the potential to be utilized to alter the behaviors of lightresponsive algae for the production of bio-fuel, food, and other biological materials and products. However, these techniques open the door for many bioethical issues and concerns about genetic modifications and the agency of both human and non-human cells. Inspired by the ecofeminist philosophy of Donna Haraway's "making kin", (R)EVOLUTION is an artistic attempt to rearticulate the relationship between algal visual perception and human technoscientific desires through performance-based approaches associated with dance and gameplay. Using the aesthetic framing of Dance Dance Revolution, (R)EVOLUTION seeks to provide a satirical exploration of human and non-human relationships using light-based choreography and gameplay while simultaneously reflecting on ethical dimensions of research in the growing field of Optogenetics and the ethical issues involved in artistic works that are created out of the bodies, lives, and liveliness of microscopic organisms. This paper explores these ethical dilemmas, the work's uses of microperformativity, and the cultural connotations of (R)EVOLUTION while providing critical analysis as context for the transdisciplinary approaches undertaken by the artist in collaboration

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Section: Microperformance and Visualizing The Invisiblementioning

confidence: 99%