“…While early DMI approaches were usually mostly leaded by (or with) the artists themselves [5]- [8], more recently the trend has inverted and DMI design has been usually practiced by researchers having backgrounds in human-computer interaction and/or music technology. Nowadays, far more rare are approaches where the design is led by or with performers [9]. A few works addressed this issue, such as [9] where percussionists can personalize a pre-designed adaptable DMI built through Arduino Uno, or [10], where a previously designed embedded DMI, the Noisebox [11], is redesigned through a user-driven procedure consisting of several workshops.…”