2018
DOI: 10.1016/j.jasrep.2018.03.003
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One Pot's tale: reconstructing the movement of people, materials and knowledge in Early Bronze Age Sicily through the microhistory of a vessel

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Cited by 7 publications
(4 citation statements)
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“…Additionally, this sample displayed evidence of animal and plant products ( Fig 6G and 6H ). A mixture of beeswax and pine resin has been observed before in archaeological ceramics from Neolithic, Roman and Medieval contexts for example in England, Egypt, France and Greece [ 106 108 ] as well as in Sicilian Bronze age ceramics [ 109 ], with the suggestion that it provides an effective way to waterproof or repair vessels [ 106 108 ]. However, the presence of beeswax in pottery may not be due to technological uses.…”
Section: Resultsmentioning
confidence: 99%
“…Additionally, this sample displayed evidence of animal and plant products ( Fig 6G and 6H ). A mixture of beeswax and pine resin has been observed before in archaeological ceramics from Neolithic, Roman and Medieval contexts for example in England, Egypt, France and Greece [ 106 108 ] as well as in Sicilian Bronze age ceramics [ 109 ], with the suggestion that it provides an effective way to waterproof or repair vessels [ 106 108 ]. However, the presence of beeswax in pottery may not be due to technological uses.…”
Section: Resultsmentioning
confidence: 99%
“…This is the first evidence reported of birch-bark tar used in early medieval contexts outside of Britain and contrasts with the notion that there was a shift from birch tar to pine resin at the beginning of the Roman period [76]. Previously, the most recent attestation of birch pitch in Sicily dates back to the Bronze Age [77]. However, it must be noted that this evidence is limited to only one vessel and without further comparative ORA studies in this area it is not possible to suggest the persistent use of birch-bark tar at this time.…”
Section: Resultsmentioning
confidence: 77%
“…Arnold 1985;Kolb 1988;Matson 1995). While the concept and study of landscape as a social construction have been developing since the 1990s (Criado-Boado 1993;Ingold 1993;Knapp and Ashmore 1999) only a few research started to entangle landscape within ceramic studies with a social perspective (Tomkins et al 2004;Michelaki et al 2015;Mentesana et al 2018). Following these approaches, in this paper, we advocate the importance of joining the investigation of craftsmanship and landscape.…”
Section: Theoretical Frameworkmentioning
confidence: 92%