2009
DOI: 10.1177/0305735609339467
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One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal students

Abstract: This paper analyses the perceptions of 20 students in a conservatoire in the UK about one-to-one tuition, and forms part of research also investigating the perceptions of the students’ teachers. Findings suggested that these students had significantly different experiences of one-to-one tuition in terms of frequency and length of lessons. Nevertheless all were enthusiastic about their relationship with their current teacher(s), and the individual attention which one-to-one tuition offered. Tension emerged betw… Show more

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Cited by 111 publications
(148 citation statements)
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“…Drawing on the principle of supply and demand (Fisher, 2007), this finding seems to indicate that these subjects are the most sought after among individual learners in Russia, which could be explained in several different ways: first, individual learners could be intrinsically motivated to learn the subjects above and could be looking for the instructional support not otherwise available to them. This reason seems unlikely, especially if we consider that mathematics and the Russian language are among the priority subjects taught in Russian schools.…”
Section: Subjects Offered For Private Tuitionmentioning
confidence: 95%
“…Drawing on the principle of supply and demand (Fisher, 2007), this finding seems to indicate that these subjects are the most sought after among individual learners in Russia, which could be explained in several different ways: first, individual learners could be intrinsically motivated to learn the subjects above and could be looking for the instructional support not otherwise available to them. This reason seems unlikely, especially if we consider that mathematics and the Russian language are among the priority subjects taught in Russian schools.…”
Section: Subjects Offered For Private Tuitionmentioning
confidence: 95%
“…This optimal distance is not fixed but instead can vary among students and can change over time. The continuous adaptation of the teacher's level to the student's current level is called contingency and is a core characteristic of scaffolding (van de Pol, Volman, & Beishuizen, 2009, 2010. This also implies that scaffolding cannot be planned in advance but instead develops in the lesson itself depending on the teacher's and student's previous actions.…”
Section: Scaffoldingmentioning
confidence: 99%
“…On the other hand, this tradition can result in a heavily skewed power distribution, which can greatly undermine the student's autonomy and motivation (McPherson, Evans, Kupers, & Renwick, 2016;Persson, 1994). Indeed, contemporary empirical investigations of teacher-student interactions in individual music lessons confirm that teachers can be very directive and insufficiently sensitive to responding to students' needs (Gaunt, 2010;West & Rostvall, 2003).…”
Section: Where Can We Study Change? the Context Of Individual Music Lmentioning
confidence: 99%
“…U trećoj fazi, kada nastupa preokupiranost studenta domenom talenta, odnos nije više zasnovan samo na emocionalnim nivoima, već oni dele zajedničku privrženost samoj muzici kao polju (Sosniak, 1990), stoga nastavnik često postaje lični i profesionalni model. Kontekst je bogat aspektima formalnog i neformalnog učenja (Mak, Kors, & Renshaw, 2007), nastavnik ima mnogo mogućnosti da svojim osobinama i stilom rada utiče na formiranje i razvoj studenta, kao i na eventualne tenzije u odnosu i zastoje studenta (Gaunt, 2010) i utoliko je njegova odgovornost veća.…”
Section: Nastavnik Glavnog Predmetaunclassified