Oxford Bibliographies Online Datasets 2012
DOI: 10.1093/obo/9780195399301-0176
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Opera

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“…Her contract "stipulated that Renzi was required to go to Florence at her own expense to perform an opera of Balbi's choice." 101 While the commercial operatic form was in this nascent phase, troupes like the Febiarmonici and the Discordati participated in the process of displacing the older commedia dell'arte form. On this transitional stage, Nicola Michelassi points to Pirrotta's assertion that, as audiences were used to the improvisational modules of commedia dell'arte performance, operatic troupes adjusted their performance structure to accommodate their expectations.…”
Section: Sound and Vision Travel Onmentioning
confidence: 99%
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“…Her contract "stipulated that Renzi was required to go to Florence at her own expense to perform an opera of Balbi's choice." 101 While the commercial operatic form was in this nascent phase, troupes like the Febiarmonici and the Discordati participated in the process of displacing the older commedia dell'arte form. On this transitional stage, Nicola Michelassi points to Pirrotta's assertion that, as audiences were used to the improvisational modules of commedia dell'arte performance, operatic troupes adjusted their performance structure to accommodate their expectations.…”
Section: Sound and Vision Travel Onmentioning
confidence: 99%
“…By October 1652, Renzi was back in Venice, where she had the notary Francesco Beatian (aka Beaziano) draft her will. 105 There is no mention of children or a husband in that will. 106 In 1653, Ferdinand Charles, Archduke of Austria, requested that composer Antonio Cesti (1623-69) bring Renzi to sing for his court in Innsbruck.…”
Section: Sound and Vision Travel Onmentioning
confidence: 99%