1993
DOI: 10.1007/bf00940554
|View full text |Cite
|
Sign up to set email alerts
|

Optimal scheduling in film production to minimize talent hold cost

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
2
1

Citation Types

0
46
0

Year Published

1994
1994
2021
2021

Publication Types

Select...
5
3
1

Relationship

0
9

Authors

Journals

citations
Cited by 31 publications
(46 citation statements)
references
References 1 publication
0
46
0
Order By: Relevance
“…Many scheduling papers [15][16][17][18][19][20] have similar characteristics as this paper. However, their applications are different.…”
Section: Submentioning
confidence: 83%
See 1 more Smart Citation
“…Many scheduling papers [15][16][17][18][19][20] have similar characteristics as this paper. However, their applications are different.…”
Section: Submentioning
confidence: 83%
“…However, their applications are different. Cheng et al [15], Wang et al [16], and Qin et al [17] scheduled films in order to minimize waiting time of actors. Actors who involve in any pieces of film must be available when those pieces are shot.…”
Section: Submentioning
confidence: 99%
“…One such strategy, the branch-and-bound algorithm, uses domain specific knowledge to put lower bounds on the expected cost of the different paths, and only traverses the most promising ones Winston (1979). The paper by Cheng, Diamond and Lin Cheng, Diamond and Lin (1993) provides an example of the use of the branch-and-bound algorithm for schedule optimization. In that paper, domain specific knowledge is used to determine the sequence of nodes and the bounds on the costs.…”
Section: Solution Of the Optimal Resource Allocation Problemmentioning
confidence: 99%
“…In the rehearsal , how to scheduling the program in order to reduce the total costs for the actors' waiting time is one of the main issues to consider. This problem is actually very similar to film shooting, workshop and project scheduling which aim to minimize the cost by reasonable scheduling [1]. Generally speaking, there are two different ways of paying for every actor's performance fee: one is that each actor has the same fee; another is different.…”
Section: Introductionmentioning
confidence: 99%