Oral history and the radio documentary/feature: Introducing the 'COHRD' form

McHugh, Siobhán

doi:10.1386/rjao.10.1.35_1

Cited by 17 publications

(7 citation statements)

References 10 publications

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“…Para ello se vale de una estructura creativa para contarlos y una forma estética acorde a las cualidades de esos medios y las texturas que ofrecen. Un tercer aspecto, que hoy es capital en el ecosistema sonoro y transmedial, es la emotividad, empatía y participación de la audiencia (McHugh, 2012). Estas emociones, sentimientos y capacidad de interacción se lograrán a partir de lo que sucede en la historia y con un narrador que sepa guiarla, si re-Experiencias de investigación y producción para crear un pódcast documental en Iberoamérica... https://www.comunicacionsocial.es Enlace de adquisición de la Monografía: https://doi.org/10.52495/c8.emcs.26.p109 cogemos los factores clave del pódcast narrativo documental (McHugh, 2022).…”

Section: Proceso Creativo Para Producir Un Documental Sonorounclassified

Capítulo 8. Experiencias de investigación y producción para crear un pódcast documental en Iberoamérica. Entre la realidad y el arte

López-Villafranca,

Rodríguez-Ortiz

2024

Espejo de Monografías

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El pódcast narrativo de no ficción encuentra su máxima expresión en el documental sonoro, mezclando una variedad de géneros, elementos sonoros y expresivos con una narrativa muy particular. En este texto se recogen las voces de profesionales y especialistas en el género que, junto a los autores, narran sus experiencias del proceso creativo y de la producción del pódcast documental. Se pone en valor la investigación de los hechos reales, un diseño sonoro muy cuidado, el papel del narrador y/o anfitrión, y la experimentación con narrativas inmersivas muy diversas, que se han visto favorecidas por la innovación tecnológica y la creatividad de sus autores.

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Section: Proceso Creativo Para Producir Un Documental Sonorounclassified

Capítulo 8. Experiencias de investigación y producción para crear un pódcast documental en Iberoamérica. Entre la realidad y el arte

López-Villafranca,

Rodríguez-Ortiz

2024

Espejo de Monografías

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“…This is not least true for the film documentary, to which researchers of radio often turn (cf. Crook 1999;Hedemann 2006;Björkman 2009;Lindgren 2011;Åberg 2012;McHugh 2012McHugh , 2014. Nichols (1991Nichols ( , 2001 has discussed the narrator's significance to different modes of documentary filmmaking.…”

Section: Radio Documentary and Crime Documentarymentioning

confidence: 99%

The Politics of True Crime: Vulnerability and Documentaries on Murder in Swedish Public Service Radio’s P3 Documentary

Hyvönen

Karlsson

Eriksson

2020

Vulnerability in Scandinavian Art and Culture

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This chapter investigates vulnerability in relation to P3 Documentary, a podcast format that has been aired by Sveriges Radio, Sweden's public service radio, since 2005. It is the most popular radio programme in Sweden with 600,000 listeners weekly (Kantar Sifo 2019) and, bearing in mind that the country's whole population is only 10 million people, it is an influential authority. A majority of the P3 documentaries recount themes related to vulnerability in various ways. However, the most common topic is crime,

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“…Over the last decade, several authors (Sellas, 2011;Gallego, 2010;Markman, 2011;Millette, 2011;McHugh, 2016;Cordeiro, 2010Cordeiro, , 2012Bonini, 2015;Berry, 2018;Bonet & Sellas, 2019) have addressed the study of this medium. The common element of their research lies in the definition of the podcast under its own identity principles.…”

Section: Podcasting In Spainmentioning

confidence: 99%

Mapping the factors that determine engagement in podcasting: design from the users and podcasters’experience

García-Marín

2020

Communication & Society

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The current media ecosystem offers enormous participatory possibilities to media audiences that, in this way, have the opportunity to engage in the co-creation of media discourse in ways unknown during the 20th century. Following the marketing 2.0 theories, the creation of attractive user experiences is considered as one of the aspects that the media increasingly take into consideration in order to get profitable content. The aim of this research is to detect the factors that influence engagement in podcasting, a digital and interactive medium that, due to its transmedia and mostly amateur nature, develops dynamics of permanent connection between media creators and listeners. By conducting a total of 17 in-depth semi-structured interviews with pioneers of the medium, podcasters and listeners, a total of 13 factors that determine user engagement were identified. These factors are integrated in three groups: medium-centered (technology, asynchrony, topics, genres and formats, and podcast subcommunity’s size), user-centered (participatory culture, consumption situation and number of subscriptions, knowledge on the topic and about the podcast subcommunity, their own relevance in the podcastphere, and the perceived relevance about their participation), and podcaster-centered (skills, attitude and tone). These factors maintain relations of interoperability that build a grammar of engagement of the medium. This study provides some clues that can be exploited by commercial media that are opting for podcasting in order to build innovative experiences of interaction with their users with the purpose of increasing their audiences.

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Oral history and the radio documentary/feature: Introducing the 'COHRD' form

Abstract: Oral history and the radio documentary/feature: introducing the 'COHRD' Oral history and the radio documentary/feature: introducing the 'COHRD' form form

Cited by 17 publications

References 10 publications

Capítulo 8. Experiencias de investigación y producción para crear un pódcast documental en Iberoamérica. Entre la realidad y el arte

Capítulo 8. Experiencias de investigación y producción para crear un pódcast documental en Iberoamérica. Entre la realidad y el arte

The Politics of True Crime: Vulnerability and Documentaries on Murder in Swedish Public Service Radio’s P3 Documentary

Mapping the factors that determine engagement in podcasting: design from the users and podcasters’experience

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